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You are here: Home / Jazz Lessons / The Blues / One Bar Blues Licks and the 12 Bar Blues Lesson
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One Bar Blues Licks and the 12 Bar Blues Lesson

One Bar Blues Licks and the 12 Bar Blues Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 006 Category: The Blues Tags: audio lesson, blues licks, jazz improvisation, jazz patterns, the blues
  • Description
  • Reviews (1)
  • Lesson Sample

Description

Play the blues now! Don’t wait until you’ve learned dozens of fancy scales and chords to begin playing the blues. By using the simple tips and methods outlined in this lesson, even a beginner can start playing great sounding blues solos. But you don’t have to be a beginner to make the most of this great lesson. If you’ve been practicing your Blues Scales but still have trouble turning them into great sounding blues solos, “One Bar Blues Licks” will get you headed in the right direction and keep you going for a long, long time. In this lesson I demonstrate how to take a simple one bar lick and get it under your fingers and into your ears. I show you how to memorize blues licks and patterns as I teach you how to play those patterns and licks with a multitude of rhythmic and melodic alterations, that will turn those simple one bar licks, into a whole bunch of useful and useable ideas. I demonstrate how you too can turn each lick into dozens more, by linking these one bar phrases together and learning to mix and match them to create longer lines.
This lesson is great for the beginner who wants to get his or her blues happening right now!
Using this approach, even a beginner can learn how to build a great blues solo, from just a handful of simple licks. The more advanced student will be able to immediately apply this approach to all the licks they might already know and learn how to adapt each lick to a variety of grooves and feels, from slow blues to up-tempo funk.

These lessons accomplish the goals of teaching you how to add to your vocabulary and at the same time, teach you how to get more mileage and variety out of the licks you already know.
Use this lesson with my Using the Blues Scale Part 1 & Using the Blues Scale Part 2 to really get your blues playing off to a solid start.  (Audio)

 

1 review for One Bar Blues Licks and the 12 Bar Blues Lesson

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    Rated 5 out of 5

    Anon – August 26, 2009

    read on your site you are working on a blues book, the 1 bar blues lick pdf you sent out a few months ago on the lessons has been working wonders as a teaching tool. looking forward to the blues book, any idea when that will be out?

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Lesson Sample

https://public.neffmusic.com/One%20Bar%20Blues%20clip.mp4

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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
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Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

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I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
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Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

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I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
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