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You are here: Home / Jazz Lessons / Practice Habits / Memorizing Jazz Standards-Lesson 1
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Memorizing Jazz Standards-Lesson 1

Memorizing Jazz Standards-Lesson 1

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 267 Category: Practice Habits Tags: jazz improvisation, jazz standards, learning, memorizing
  • Description
  • Reviews (2)

Description

One of the best things you can do for yourself is to learn and memorize jazz standards.  Most working jazz musicians have hundreds of  jazz standards that they have memorized and can play at any moment.  For many students,  learning these standards can be one of the most difficult tasks to complete.   They spend countless hours trying to memorize and play the standards they should know only to get on the gig  and fall apart.  It can be a very frustrating and intimidating experience.

In this lesson, I take you through the process that I find most effective in memorizing jazz standards.  I show you the complete process as I try to memorize a standard that I do not know (Yes, I do not know them all)  This is a revealing lesson for you because I take you through the beginning steps of how I think through the melody and chord changes.  I teach you the things I find the most effective when trying to memorize a song and the chord changes as well as warning you of the common road blocks we all face.  Believe me, I was horrible at this when I was younger so I hope to impart some of the things I have learned over the years  so you can benefit from them.  This is a great lesson to really digest so you can build up your jazz standard repertoire.  It is not easy nor will you find any magic here.  You will just find lots of advice  on what to practice  and how to practice it. This is Lesson 1 of 3. (31 minute video)

2 reviews for Memorizing Jazz Standards-Lesson 1

  1. Avatar
    Rated 5 out of 5

    John – February 20, 2011

    Big Big thanks to Steve for making this series of lessons, Steve gives some very honest views and detail on what he considers are the important areas to memorizing a jazz standard thoroughly. As usual the lessons are flavored with elements of Steve’s humor taken from his life experiences which easily connect with the listener in an enjoyable way. I am looking forward with anticipation to putting Steve’s thoughts to the test on the great choice of tune he uses throughout the lessons – ’Have You Met Miss Jones’

  2. Avatar
    Rated 5 out of 5

    Chris Cole (verified owner) – February 23, 2018

    5 Stars! Steve’s four lessons on tune memorization are awesome. Very few players in this era are in the fortunate space where they’re blowing jazz gigs nightly. This makes learning and retaining jazz repertoire a real challenge. Steve’s well thought out approach in each of these lessons and his taking the time in those lessons to explain his thought process is pure gold. It’s rare to get a player of Steve’s calibre is actually slow down and take you through the actual steps he takes. I highly recommend all four of these lessons.

    chis cole

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I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
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I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

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Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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