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You are here: Home / Jazz Lessons / Practice Habits / Memorizing Jazz Standards-Lesson 1
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Memorizing Jazz Standards-Lesson 1

Memorizing Jazz Standards-Lesson 1

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 267 Category: Practice Habits Tags: jazz improvisation, jazz standards, learning, memorizing
  • Description
  • Reviews (2)

Description

One of the best things you can do for yourself is to learn and memorize jazz standards.  Most working jazz musicians have hundreds of  jazz standards that they have memorized and can play at any moment.  For many students,  learning these standards can be one of the most difficult tasks to complete.   They spend countless hours trying to memorize and play the standards they should know only to get on the gig  and fall apart.  It can be a very frustrating and intimidating experience.

In this lesson, I take you through the process that I find most effective in memorizing jazz standards.  I show you the complete process as I try to memorize a standard that I do not know (Yes, I do not know them all)  This is a revealing lesson for you because I take you through the beginning steps of how I think through the melody and chord changes.  I teach you the things I find the most effective when trying to memorize a song and the chord changes as well as warning you of the common road blocks we all face.  Believe me, I was horrible at this when I was younger so I hope to impart some of the things I have learned over the years  so you can benefit from them.  This is a great lesson to really digest so you can build up your jazz standard repertoire.  It is not easy nor will you find any magic here.  You will just find lots of advice  on what to practice  and how to practice it. This is Lesson 1 of 3. (31 minute video)

2 reviews for Memorizing Jazz Standards-Lesson 1

  1. Avatar
    Rated 5 out of 5

    John – February 20, 2011

    Big Big thanks to Steve for making this series of lessons, Steve gives some very honest views and detail on what he considers are the important areas to memorizing a jazz standard thoroughly. As usual the lessons are flavored with elements of Steve’s humor taken from his life experiences which easily connect with the listener in an enjoyable way. I am looking forward with anticipation to putting Steve’s thoughts to the test on the great choice of tune he uses throughout the lessons – ’Have You Met Miss Jones’

  2. Avatar
    Rated 5 out of 5

    Chris Cole (verified owner) – February 23, 2018

    5 Stars! Steve’s four lessons on tune memorization are awesome. Very few players in this era are in the fortunate space where they’re blowing jazz gigs nightly. This makes learning and retaining jazz repertoire a real challenge. Steve’s well thought out approach in each of these lessons and his taking the time in those lessons to explain his thought process is pure gold. It’s rare to get a player of Steve’s calibre is actually slow down and take you through the actual steps he takes. I highly recommend all four of these lessons.

    chis cole

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Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

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