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You are here: Home / Jazz Lessons / Practice Habits / Memorizing Jazz Standards-Lesson 1
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Memorizing Jazz Standards-Lesson 1

Memorizing Jazz Standards-Lesson 1

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 267 Category: Practice Habits Tags: jazz improvisation, jazz standards, learning, memorizing
  • Description
  • Reviews (2)

Description

One of the best things you can do for yourself is to learn and memorize jazz standards.  Most working jazz musicians have hundreds of  jazz standards that they have memorized and can play at any moment.  For many students,  learning these standards can be one of the most difficult tasks to complete.   They spend countless hours trying to memorize and play the standards they should know only to get on the gig  and fall apart.  It can be a very frustrating and intimidating experience.

In this lesson, I take you through the process that I find most effective in memorizing jazz standards.  I show you the complete process as I try to memorize a standard that I do not know (Yes, I do not know them all)  This is a revealing lesson for you because I take you through the beginning steps of how I think through the melody and chord changes.  I teach you the things I find the most effective when trying to memorize a song and the chord changes as well as warning you of the common road blocks we all face.  Believe me, I was horrible at this when I was younger so I hope to impart some of the things I have learned over the years  so you can benefit from them.  This is a great lesson to really digest so you can build up your jazz standard repertoire.  It is not easy nor will you find any magic here.  You will just find lots of advice  on what to practice  and how to practice it. This is Lesson 1 of 3. (31 minute video)

2 reviews for Memorizing Jazz Standards-Lesson 1

  1. Avatar
    Rated 5 out of 5

    John – February 20, 2011

    Big Big thanks to Steve for making this series of lessons, Steve gives some very honest views and detail on what he considers are the important areas to memorizing a jazz standard thoroughly. As usual the lessons are flavored with elements of Steve’s humor taken from his life experiences which easily connect with the listener in an enjoyable way. I am looking forward with anticipation to putting Steve’s thoughts to the test on the great choice of tune he uses throughout the lessons – ’Have You Met Miss Jones’

  2. Avatar
    Rated 5 out of 5

    Chris Cole (verified owner) – February 23, 2018

    5 Stars! Steve’s four lessons on tune memorization are awesome. Very few players in this era are in the fortunate space where they’re blowing jazz gigs nightly. This makes learning and retaining jazz repertoire a real challenge. Steve’s well thought out approach in each of these lessons and his taking the time in those lessons to explain his thought process is pure gold. It’s rare to get a player of Steve’s calibre is actually slow down and take you through the actual steps he takes. I highly recommend all four of these lessons.

    chis cole

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Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

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