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You are here: Home / Jazz Lessons / II-V-I Patterns / Mastering a Hard Pattern Lesson 2-Lick 19
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Mastering a Hard Pattern Lesson 2-Lick 19

Mastering a Hard Pattern Lesson 2-Lick 19

$9.99

Categories: II-V-I Patterns, Practice Habits Tags: ii-V-I lick, jazz improvisation, modern improv, pattern, practice habits, video lesson
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Description

In Lesson 1 of “Mastering a Hard Pattern-Lick 19, I tackled the process of learning a somewhat harder lick and talked about all the steps involved in learning it so that it is mastered.  I took pattern 19 in my book “Best Major II-V-I Patterns and taught you the process I would use to  learn and then master this line in all 12 keys.

Many students are just told to go and learn a lick or pattern in all 12 keys but very few students are actually taught the process involved in doing this.  First,  you have to play the pattern and understand the elements that make it up.  Then you have to break it down to instructions that will work for you so that you can use those instruction to then recreate the pattern in every key.  After that, comes the practice and repetition required to master the line so that it can easily be used while improvising effortlessly.

In Lesson 2, I teach you six more ways to apply this pattern to ii-V-I progressions using chord substitutions.  Mastering a pattern or concept is not just about learning the phrase verbatim but it is about mastering the pattern so that you can use it infinite ways.  When you master the art of learning this way your lines and ideas can exponentially multiply. I demonstrate all the lines on the tenor sax to a play along so that you can hear each application of the line with the chords. (37 Minute Video Lesson, Play Along for C, Eb and Bb instruments, PDF Sheet of ii-V-I Lick variations)

 

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Lesson Sample

https://public.neffmusic.com/Practicing_a_Hard_Lick_to_Completion_Lesson-Lick_19Clip.mp4

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I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

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