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You are here: Home / Jazz Lessons / II-V-I Patterns / Mastering a Hard Pattern Lesson 2-Lick 19
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Mastering a Hard Pattern Lesson 2-Lick 19

Mastering a Hard Pattern Lesson 2-Lick 19

$9.99

Categories: II-V-I Patterns, Practice Habits Tags: ii-V-I lick, jazz improvisation, modern improv, pattern, practice habits, video lesson
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Description

In Lesson 1 of “Mastering a Hard Pattern-Lick 19, I tackled the process of learning a somewhat harder lick and talked about all the steps involved in learning it so that it is mastered.  I took pattern 19 in my book “Best Major II-V-I Patterns and taught you the process I would use to  learn and then master this line in all 12 keys.

Many students are just told to go and learn a lick or pattern in all 12 keys but very few students are actually taught the process involved in doing this.  First,  you have to play the pattern and understand the elements that make it up.  Then you have to break it down to instructions that will work for you so that you can use those instruction to then recreate the pattern in every key.  After that, comes the practice and repetition required to master the line so that it can easily be used while improvising effortlessly.

In Lesson 2, I teach you six more ways to apply this pattern to ii-V-I progressions using chord substitutions.  Mastering a pattern or concept is not just about learning the phrase verbatim but it is about mastering the pattern so that you can use it infinite ways.  When you master the art of learning this way your lines and ideas can exponentially multiply. I demonstrate all the lines on the tenor sax to a play along so that you can hear each application of the line with the chords. (37 Minute Video Lesson, Play Along for C, Eb and Bb instruments, PDF Sheet of ii-V-I Lick variations)

 

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Lesson Sample

https://public.neffmusic.com/Practicing_a_Hard_Lick_to_Completion_Lesson-Lick_19Clip.mp4

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Testimonials

It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

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