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You are here: Home / Jazz Lessons / Bebop Scales / In A Mellow Tone Dominant Bebop Solo Lesson
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In A Mellow Tone Dominant Bebop Solo Lesson

In A Mellow Tone Dominant Bebop Solo Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 188 Category: Bebop Scales Tags: bebop scales, In a Mellow Tone, jazz improvisation, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Taking an improvisational concept from the practice room to the gig is one of the hardest things to do.  We practice a scale or concept for hours and hours,  but then when we get on the gig or big concert, it all seems to fall apart.  In this video lesson,  I show you how to take the dominant bebop scale concept and use it in a real solo over “In a Mellow Tone” by Duke Ellington.  This is a great jazz standard to use to practice dominant bebop scales because 90% of the chords are dominant chords.  The goal of this solo was to use all of the bebop lines, links and resolution links that we have used in the “Mastering the Dominant Bebop Lesson Series 1-13”.  The solo is at an intermediate level and shows you how you can put together everything we are learning to create a very nice solo over a standard tune.

This 2 chorus written solo is just an example of how you can use the dominant bebop scale concept to create rich and lively jazz solos over standard tunes.  My goal in this lesson is not just to give you a cool solo to play but rather to show you how to  create and build your own solos from  the “Mastering the Dominant Bebop Scale” book yourself.  Writing and creating a solo is one of the best ways to test if you fully understand an improvisational concept.  As you work on this solo and listen to me teach on it, try to create one yourself and see what you can come up with!

This lesson comes with a PDF sheet of the solo in C,Bb and Eb.  I demonstrate it on the tenor saxophone with a florida link mouthpiece. (26 Minute Video Lesson)

2 reviews for In A Mellow Tone Dominant Bebop Solo Lesson

  1. Avatar
    Rated 5 out of 5

    Ron Bull – March 15, 2010

    I have played this tune with the group at the restaurant. Having worked on the concepts presented in this lesson, I was able to (for the 1st time) actually sound like I new what I was doing.
    After I downloaded this lesson back in February, I immediately had a newly found appreciation for Steve’s book “Mastering the Dominant Bebop Scale”. Sure I had practiced the material in it, but it was not until I saw his written solo that I truly understood just what could be a reality for me if I kept working hard.

    Thanks Steve
    Ron Bull

  2. Avatar
    Rated 5 out of 5

    Plurk (verified owner) – August 17, 2013

    This is really a great lesson to get the bebop scales to work.

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Lesson Sample

https://public.neffmusic.com/Dominant%20Bebop%20Solo%20on%20a%20Mellow%20Tone%20clip.mp4

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Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
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John
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
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Shane
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
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Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
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