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You are here: Home / Jazz Lessons / Bebop Scales / In A Mellow Tone Dominant Bebop Solo Lesson
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In A Mellow Tone Dominant Bebop Solo Lesson

In A Mellow Tone Dominant Bebop Solo Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 188 Category: Bebop Scales Tags: bebop scales, In a Mellow Tone, jazz improvisation, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Taking an improvisational concept from the practice room to the gig is one of the hardest things to do.  We practice a scale or concept for hours and hours,  but then when we get on the gig or big concert, it all seems to fall apart.  In this video lesson,  I show you how to take the dominant bebop scale concept and use it in a real solo over “In a Mellow Tone” by Duke Ellington.  This is a great jazz standard to use to practice dominant bebop scales because 90% of the chords are dominant chords.  The goal of this solo was to use all of the bebop lines, links and resolution links that we have used in the “Mastering the Dominant Bebop Lesson Series 1-13”.  The solo is at an intermediate level and shows you how you can put together everything we are learning to create a very nice solo over a standard tune.

This 2 chorus written solo is just an example of how you can use the dominant bebop scale concept to create rich and lively jazz solos over standard tunes.  My goal in this lesson is not just to give you a cool solo to play but rather to show you how to  create and build your own solos from  the “Mastering the Dominant Bebop Scale” book yourself.  Writing and creating a solo is one of the best ways to test if you fully understand an improvisational concept.  As you work on this solo and listen to me teach on it, try to create one yourself and see what you can come up with!

This lesson comes with a PDF sheet of the solo in C,Bb and Eb.  I demonstrate it on the tenor saxophone with a florida link mouthpiece. (26 Minute Video Lesson)

2 reviews for In A Mellow Tone Dominant Bebop Solo Lesson

  1. Avatar
    Rated 5 out of 5

    Ron Bull – March 15, 2010

    I have played this tune with the group at the restaurant. Having worked on the concepts presented in this lesson, I was able to (for the 1st time) actually sound like I new what I was doing.
    After I downloaded this lesson back in February, I immediately had a newly found appreciation for Steve’s book “Mastering the Dominant Bebop Scale”. Sure I had practiced the material in it, but it was not until I saw his written solo that I truly understood just what could be a reality for me if I kept working hard.

    Thanks Steve
    Ron Bull

  2. Avatar
    Rated 5 out of 5

    Plurk (verified owner) – August 17, 2013

    This is really a great lesson to get the bebop scales to work.

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Lesson Sample

https://public.neffmusic.com/Dominant%20Bebop%20Solo%20on%20a%20Mellow%20Tone%20clip.mp4

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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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