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Four Solo Lesson

Four Solo Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 043 Category: Jazz Standards Tags: audio lesson, Four, jazz improvisation, jazz standards
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In this lesson I go through a 2 chorus solo that I wrote over the changes to “Four” by Miles Davis.  This is a jazz standard that all serious jazz players and students know.  I talk in detail about the tools I used to create the solo.   I also take you through the process of how I create motifs and build on them throughout a solo. This lesson is a great overview of many of the topics I cover in other lessons but here you can see first hand how I put them into practice.  Composing solos and writing them down on paper is a great way to test your improvisational abilities at a slower pace.  You can take your time and see what kind of ideas and lines you can come up with over the songs chord changes.  This process is also a great way to reveal your weaknesses.  If you get stuck on a certain chord , can’t come up with something that sounds good or can’t write lines that flow and are interesting over the changes then you have revealed something that you need to work on.   If you can’t do those things when you have all the time in the world then chances are you won’t be able to in the moment while playing either.  There’s a lot to be learned from this solo.  The lesson comes with an Eb and Bb version of the solo both for alto and tenor saxophones.  Enjoy! (Audio Lesson 27 minutes)

1 review for Four Solo Lesson

  1. Avatar
    Rated 5 out of 5

    Jim Baynor – February 2, 2010

    Got your solo for FOUR. It was excellent. Really musical and uses your ideas with the Approach notes.

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Lesson Sample

https://public.neffmusic.com/Four%20Solo%20clip.mp4

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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
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Michael Byington

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If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

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Robert
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
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