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You are here: Home / Jazz Lessons / Modern Improv / Diminished Mastery Etude #1
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Diminished Mastery Etude #1

Diminished Mastery Etude #1

$9.99

Category: Modern Improv Tags: diminished scale, dominant chords, jazz education, jazz lines, moder improvisation
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Description

Diminished Mastery Etude #1 is a lesson I have made to introduce students to some more advanced diminished lines and concepts. I have written these lines down in the form of an etude for students to practice to the play alongs that I have included.

This lesson is focused on one diminished scale as it is used over 4 different tonics. A7,C7,Eb7 and F#7 for Bb instruments. The goal of this lesson is for the student to gain a mastery of these advanced diminished lines as well as to train their ear to use this one scale over the 4 possible tonics. I show you how to work through the etude and how to use it as a starting point for your own diminished studies.

This lesson goes much deeper than just playing an Etude but is a tool for the more advanced student to use to inspire them with the possibilities available with the diminished scale. All the concepts are demonstrated on the soprano saxophone. (36 minute video lesson, 2 page PDF etude written in 4 keys, 4 play alongs in the concert keys of G7,Bb7,Db7 and E7)

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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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