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You are here: Home / Jazz Lessons / Modern Improv / Diminished Mastery Etude #1
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Diminished Mastery Etude #1

Diminished Mastery Etude #1

$9.99

Category: Modern Improv Tags: diminished scale, dominant chords, jazz education, jazz lines, moder improvisation
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Description

Diminished Mastery Etude #1 is a lesson I have made to introduce students to some more advanced diminished lines and concepts. I have written these lines down in the form of an etude for students to practice to the play alongs that I have included.

This lesson is focused on one diminished scale as it is used over 4 different tonics. A7,C7,Eb7 and F#7 for Bb instruments. The goal of this lesson is for the student to gain a mastery of these advanced diminished lines as well as to train their ear to use this one scale over the 4 possible tonics. I show you how to work through the etude and how to use it as a starting point for your own diminished studies.

This lesson goes much deeper than just playing an Etude but is a tool for the more advanced student to use to inspire them with the possibilities available with the diminished scale. All the concepts are demonstrated on the soprano saxophone. (36 minute video lesson, 2 page PDF etude written in 4 keys, 4 play alongs in the concert keys of G7,Bb7,Db7 and E7)

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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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Steve,

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I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
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