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You are here: Home / Jazz Lessons / Scale Studies / Diatonic Third Patterns Lesson
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Diatonic Third Patterns Lesson

Diatonic Third Patterns Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 204 Category: Scale Studies Tags: diatonic thirds, jazz improvisation, practice habits, scale studies, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

Diatonic patterns are a must for any serious student of jazz.   Diatonic thirds are usually the first interval pattern that students will work on.  It is important to get these interval patterns down before attempting larger intervals like fourths,fifths and sixths.   You need to work on these thirds until you can play them in all 12 keys without even thinking about it.  The key to mastering these patterns is repetition.  Where most students fall short, is that they don’t practice these enough.  Don’t make that mistake!

Diatonic Third patterns are valuable because they give you tons of melodic material you can use,   they equip you with a thorough knowledge of the major scale and by working on them you improve your technique.   In this lesson I show you four common patterns using diatonic thirds.  I give you tips on how to best practice them and demonstrate them for you on the soprano sax with some background music.  Playing these pattern with background music is the best way to get the sound of them into your ear in each key that you work on.   This lesson also includes a 12 page pdf of the patterns in every key.  Enjoy!  (30 Minute Video Lesson)

1 review for Diatonic Third Patterns Lesson

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    Rated 5 out of 5

    Mark Klinefelter – May 11, 2017

    I am a 7 year alto player. Starting to learn basic improvisation. I knew it was about time to fully master the intervals. I have practiced them before but not in a serious fashion until a couple of weeks ago. A few days ago I downloaded this lesson on 3rd’s. Steve’s advice and experience were invaluable. The top tip was playing them against the Vol 24 Aebersold backing tracks. So melodic and beautiful. You can improvise over just those simple intervals and they sound great on the particular key track you are playing with. I prefer learning them by sound rather than staring at a piece of paper. That works better for me since you do not have time to look at paper when constructing a melody. I recommend this course for any serious musician.

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Lesson Sample

https://public.neffmusic.com/Diatonic%20Third%20Patterns%20clip.mp4

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I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
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