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Diatonic Third Patterns Lesson

Diatonic Third Patterns Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 204 Category: Scale Studies Tags: diatonic thirds, jazz improvisation, practice habits, scale studies, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

Diatonic patterns are a must for any serious student of jazz.   Diatonic thirds are usually the first interval pattern that students will work on.  It is important to get these interval patterns down before attempting larger intervals like fourths,fifths and sixths.   You need to work on these thirds until you can play them in all 12 keys without even thinking about it.  The key to mastering these patterns is repetition.  Where most students fall short, is that they don’t practice these enough.  Don’t make that mistake!

Diatonic Third patterns are valuable because they give you tons of melodic material you can use,   they equip you with a thorough knowledge of the major scale and by working on them you improve your technique.   In this lesson I show you four common patterns using diatonic thirds.  I give you tips on how to best practice them and demonstrate them for you on the soprano sax with some background music.  Playing these pattern with background music is the best way to get the sound of them into your ear in each key that you work on.   This lesson also includes a 12 page pdf of the patterns in every key.  Enjoy!  (30 Minute Video Lesson)

1 review for Diatonic Third Patterns Lesson

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    Rated 5 out of 5

    Mark Klinefelter – May 11, 2017

    I am a 7 year alto player. Starting to learn basic improvisation. I knew it was about time to fully master the intervals. I have practiced them before but not in a serious fashion until a couple of weeks ago. A few days ago I downloaded this lesson on 3rd’s. Steve’s advice and experience were invaluable. The top tip was playing them against the Vol 24 Aebersold backing tracks. So melodic and beautiful. You can improvise over just those simple intervals and they sound great on the particular key track you are playing with. I prefer learning them by sound rather than staring at a piece of paper. That works better for me since you do not have time to look at paper when constructing a melody. I recommend this course for any serious musician.

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Lesson Sample

https://public.neffmusic.com/Diatonic%20Third%20Patterns%20clip.mp4

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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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