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You are here: Home / Jazz Lessons / Scale Studies / Diatonic Third Patterns Lesson
Diatonic Third Patterns Lesson

Diatonic Third Patterns Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 204 Category: Scale Studies Tags: diatonic thirds, jazz improvisation, practice habits, scale studies, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

Diatonic patterns are a must for any serious student of jazz.   Diatonic thirds are usually the first interval pattern that students will work on.  It is important to get these interval patterns down before attempting larger intervals like fourths,fifths and sixths.   You need to work on these thirds until you can play them in all 12 keys without even thinking about it.  The key to mastering these patterns is repetition.  Where most students fall short, is that they don’t practice these enough.  Don’t make that mistake!

Diatonic Third patterns are valuable because they give you tons of melodic material you can use,   they equip you with a thorough knowledge of the major scale and by working on them you improve your technique.   In this lesson I show you four common patterns using diatonic thirds.  I give you tips on how to best practice them and demonstrate them for you on the soprano sax with some background music.  Playing these pattern with background music is the best way to get the sound of them into your ear in each key that you work on.   This lesson also includes a 12 page pdf of the patterns in every key.  Enjoy!  (30 Minute Video Lesson)

1 review for Diatonic Third Patterns Lesson

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    Rated 5 out of 5

    Mark Klinefelter – May 11, 2017

    I am a 7 year alto player. Starting to learn basic improvisation. I knew it was about time to fully master the intervals. I have practiced them before but not in a serious fashion until a couple of weeks ago. A few days ago I downloaded this lesson on 3rd’s. Steve’s advice and experience were invaluable. The top tip was playing them against the Vol 24 Aebersold backing tracks. So melodic and beautiful. You can improvise over just those simple intervals and they sound great on the particular key track you are playing with. I prefer learning them by sound rather than staring at a piece of paper. That works better for me since you do not have time to look at paper when constructing a melody. I recommend this course for any serious musician.

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Lesson Sample

https://public.neffmusic.com/Diatonic%20Third%20Patterns%20clip.mp4

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Testimonials

Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

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