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You are here: Home / Jazz Lessons / Scale Studies / Diatonic Third Patterns Lesson
Diatonic Third Patterns Lesson

Diatonic Third Patterns Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 204 Category: Scale Studies Tags: diatonic thirds, jazz improvisation, practice habits, scale studies, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

Diatonic patterns are a must for any serious student of jazz.   Diatonic thirds are usually the first interval pattern that students will work on.  It is important to get these interval patterns down before attempting larger intervals like fourths,fifths and sixths.   You need to work on these thirds until you can play them in all 12 keys without even thinking about it.  The key to mastering these patterns is repetition.  Where most students fall short, is that they don’t practice these enough.  Don’t make that mistake!

Diatonic Third patterns are valuable because they give you tons of melodic material you can use,   they equip you with a thorough knowledge of the major scale and by working on them you improve your technique.   In this lesson I show you four common patterns using diatonic thirds.  I give you tips on how to best practice them and demonstrate them for you on the soprano sax with some background music.  Playing these pattern with background music is the best way to get the sound of them into your ear in each key that you work on.   This lesson also includes a 12 page pdf of the patterns in every key.  Enjoy!  (30 Minute Video Lesson)

1 review for Diatonic Third Patterns Lesson

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    Rated 5 out of 5

    Mark Klinefelter – May 11, 2017

    I am a 7 year alto player. Starting to learn basic improvisation. I knew it was about time to fully master the intervals. I have practiced them before but not in a serious fashion until a couple of weeks ago. A few days ago I downloaded this lesson on 3rd’s. Steve’s advice and experience were invaluable. The top tip was playing them against the Vol 24 Aebersold backing tracks. So melodic and beautiful. You can improvise over just those simple intervals and they sound great on the particular key track you are playing with. I prefer learning them by sound rather than staring at a piece of paper. That works better for me since you do not have time to look at paper when constructing a melody. I recommend this course for any serious musician.

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Lesson Sample

https://public.neffmusic.com/Diatonic%20Third%20Patterns%20clip.mp4

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Testimonials

Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

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