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You are here: Home / Jazz Lessons / Modern Improv / Devastating Minor Lines-Lesson 1
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Devastating Minor Lines-Lesson 1

Devastating Minor Lines-Lesson 1

$9.99

SKU: 383 Category: Modern Improv Tags: jazz improvisation, minor lines, modern improv, playing outside, video lesson
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Description

This is a lesson on creating some of those crazy modern lines that  travel “outside” of the key.  You hear these type of lines when you listen to modern sax players such as Michael Brecker or Bob Berg.

I give you 9 lines that in the key of D minor that I have composed. These lines are written in 16th notes and use a variety of different techniques to weave them in and out of the minor key center.  I show you how to use chromatic lines, approach notes,altered scales, 3 tonic lines and different triads to create hip, modern lines.

In this lesson, I cover lines 1-4 and teach you the elements used to create them.   In lesson 2, I finish the lesson with lines 5-9.  Although the lines were written in D minor, I have included PDFs of the lines transposed into 6 other keys also.

I demonstrate all the lines to a Jamey Aebersold play along with my tenor saxophone. (29 Minute Video and 7 PDFs)

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Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
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Jerry
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
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Ed Woodmansee

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