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You are here: Home / Jazz Lessons / Modern Improv / Chord Substitution Lesson 2-The Tritone Lesson
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Chord Substitution Lesson 2-The Tritone Lesson

Chord Substitution Lesson 2-The Tritone Lesson

$9.99

SKU: 196 Category: Modern Improv Tags: chord substitutions, modern jazz improvisation, tritone sub, video lesson
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Description

The tritone substitution refers to replacing a chord with another chord that is a tritone away.  A tritone is 3 whole steps ( or 6 half steps) away from the original chord.   For example, a tritone away from C is F#.  A tritone away from F# is back to C.  When we talk about tritone substitutions in this lesson we are talking about using this concept on the dominant chords.  On a ii-V-I progression like Dm7-G7-CMaj7 we would substitute Db7 for G7 to make the progression Dm7-Db7-Cmaj7 which creates a downward bass movement.  Sometimes this substitution will happen in the rhythm section but even if it doesn’t, it sounds really cool when a soloist uses it in their improvisation.

In this 2nd lesson on chord substitutions I teach you all about these tritone substitution.  I teach you how to think about this common substitution and use it in your jazz improv.  Once you master this concept you can  come up with some great lines that will sound hip and modern.  This lesson comes with a PDF sheet with some detailed lines using this concept.  I play all the examples on the soprano saxophone with a background so you can hear what they sound like. (31 Minute Video Lesson & PDF)

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Lesson Sample

https://public.neffmusic.com/Chord_Substitution_Lesson_2-Tritone.mp4

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Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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