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You are here: Home / Sax Lessons / Sax Articulation / Bebop Articulation Lesson 1-Ornithology and Yardbird
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Bebop Articulation Lesson 1-Ornithology and Yardbird

Bebop Articulation Lesson 1-Ornithology and Yardbird

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Sax Articulation Tags: articulation, bebop, Charlie Parker, Ornithology, saxophone, video lesson, Yardbird Suite
  • Description
  • Reviews (1)

Description

In this lesson, I take an in-depth look on how to articulate two Charlie Parker tunes in the Charlie Parker Omnibook. We take a look at Ornithology and Yardbird Suite. I play the melodies slowly on the alto saxophone and talk about each note and how to properly apply bebop articulation to it. I then play them at full speed so that you can hear how the articulation sounds at that speed. I also give you insights and tips on how to practice from the Omnibook as well as an in-depth look at the different rhythms Charlie Parker uses in these classic melodies.

This is a great lesson for those of you who want to learn more about jazz articulation on the saxophone and want to make sure you are doing it correctly as you begin working on the Omnibook. You will need the Charlie Parker Omnibook to get the most out of this lesson. All of the examples are played on the alto sax.(44 Minute Video Lesson)

1 review for Bebop Articulation Lesson 1-Ornithology and Yardbird

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    Rated 5 out of 5

    Simon Sherwood (verified owner) – February 10, 2018

    Just wanted to send you a quick note to say thank you for such a great lesson. I’ve only watched the Ornithology section, but I can already see how helpful it will be for me. It’s great how you play it how it shouldn’t sound…very very helpful (I think you did that with some of the Niehaus examples too). Anyway, thanks again and all the best,
    Regards
    Simon Sherwood

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Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

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