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You are here: Home / Sax Lessons / Sax Expression / The Art of Bending Saxophone Notes Lesson
The Art of Bending Saxophone Notes Lesson

The Art of Bending Saxophone Notes Lesson

$9.99

SKU: 177 Category: Sax Expression Tags: bend notes, saxophone, steve neff, throat, tongue, voicing notes
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Description

A great sax player has mastered the art of bending and shaping  their notes to express what they want to convey.  It might be a mood, attitude or emotion.  There is no doubt that bending notes adds excitement and emotion to a solo.  Bending notes on the saxophone is one of the coolest things that you can learn to do.  All the great jazz and R&B saxophone players bend there notes in some way.  Usually, the most expressive players and the ones who convey the most emotion and feeling in their playing are the ones who really manipulate and shape their sound the most.

For me, it’s similar to being a great reader or storyteller.  The worst thing you can do while reading a story to a child is to just have a monotone voice that drones on throughout the story……..never changing.  That’s a great way to get a child to fall asleep fast but a horrible way to keep their interest and attention.  You will find that the best storytellers are those that manipulate different aspects of their voice while reading.  They talk slower or faster.  They talk higher for a women’s voice or lower for a man’s voice.  They try to match the sound and style of the way they are speaking with the character that is saying it.  If the story is happy…..they sound happy.  If it sad, they sound sad.  If it is stressful they speak urgently and with some anxiety in their voice.  You will find a ton of volume changes while they read to help them convey different emotions to the listener. They might whisper and the child will lean forward to hear.  They might yell and the child will jump back startled.  All these elements are brought together to tell a story in a rich and expressive way.  I find that the great sax players use these same techniques to convey a story to their audience. The best ones use many different techniques to create a mood or  emotion.

One of the most common is the bending of notes on the saxophone.  In this video, I am showing you the technique I use to bend notes by just using your tongue and throat.  Many players will  learn how to bend notes by dropping their bottom jaw early on in their development.  The technique I am using here is a bit more nebulous and hard to define.  As I have taught over the last 10 years I have found this to be one of the hardest elements to teach to a student.  The problem is teaching in such a way that the student understands what I am saying and how to implement it without actually being able to see and experience the movement or action.  The other problem is trying to understand what is going on within the students throat and tongue position.  Many times a student is unaware of what is happening or is even mistaken about what is happening inside their own body.

This video is in response to a great player on the internet who sent me an email asking me to go into further depth about this bending with your throat concept.  He is an amazing player but has never been able to bend notes without using his embouchure and was very curious about the method I use to do this.

I try my best in this video to show you how I can bend the tenor mouthpiece pitch down while I blow by “voicing” the note lower.  I explain in the video how I am not knowledgeable at all about the medical terms for what I am describing (and I’m not so sure it would help students even if I was) but I try my best to describe what is going on inside my throat and mouth.  You can see first hand the affect that this manipulation has on the mouthpiece pitch as well as the sound of the tenor sax as a whole.

Learning this concept has huge benefits.  It helps with expression but it also helps with intonation in a great way.  If you have certain notes that are sharp or a top register that is sharp then you can very easily use this concept to bring the pitch down without using your embouchure at all.  This frees up your embouchure for vibrato and other tonal aspects that you might want to manipulate.

I hope you enjoy the video and find it useful. (32 Minute Video Lesson)

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Lesson Sample

https://public.neffmusic.com/The%20Art%20of%20Bending%20Notes%20clip.mp4

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I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
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I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
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