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You are here: Home / Sax Lessons / Sax Expression / The Art of Bending Saxophone Notes Lesson
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The Art of Bending Saxophone Notes Lesson

The Art of Bending Saxophone Notes Lesson

$9.99

SKU: 177 Category: Sax Expression Tags: bend notes, saxophone, steve neff, throat, tongue, voicing notes
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Description

A great sax player has mastered the art of bending and shaping  their notes to express what they want to convey.  It might be a mood, attitude or emotion.  There is no doubt that bending notes adds excitement and emotion to a solo.  Bending notes on the saxophone is one of the coolest things that you can learn to do.  All the great jazz and R&B saxophone players bend there notes in some way.  Usually, the most expressive players and the ones who convey the most emotion and feeling in their playing are the ones who really manipulate and shape their sound the most.

For me, it’s similar to being a great reader or storyteller.  The worst thing you can do while reading a story to a child is to just have a monotone voice that drones on throughout the story……..never changing.  That’s a great way to get a child to fall asleep fast but a horrible way to keep their interest and attention.  You will find that the best storytellers are those that manipulate different aspects of their voice while reading.  They talk slower or faster.  They talk higher for a women’s voice or lower for a man’s voice.  They try to match the sound and style of the way they are speaking with the character that is saying it.  If the story is happy…..they sound happy.  If it sad, they sound sad.  If it is stressful they speak urgently and with some anxiety in their voice.  You will find a ton of volume changes while they read to help them convey different emotions to the listener. They might whisper and the child will lean forward to hear.  They might yell and the child will jump back startled.  All these elements are brought together to tell a story in a rich and expressive way.  I find that the great sax players use these same techniques to convey a story to their audience. The best ones use many different techniques to create a mood or  emotion.

One of the most common is the bending of notes on the saxophone.  In this video, I am showing you the technique I use to bend notes by just using your tongue and throat.  Many players will  learn how to bend notes by dropping their bottom jaw early on in their development.  The technique I am using here is a bit more nebulous and hard to define.  As I have taught over the last 10 years I have found this to be one of the hardest elements to teach to a student.  The problem is teaching in such a way that the student understands what I am saying and how to implement it without actually being able to see and experience the movement or action.  The other problem is trying to understand what is going on within the students throat and tongue position.  Many times a student is unaware of what is happening or is even mistaken about what is happening inside their own body.

This video is in response to a great player on the internet who sent me an email asking me to go into further depth about this bending with your throat concept.  He is an amazing player but has never been able to bend notes without using his embouchure and was very curious about the method I use to do this.

I try my best in this video to show you how I can bend the tenor mouthpiece pitch down while I blow by “voicing” the note lower.  I explain in the video how I am not knowledgeable at all about the medical terms for what I am describing (and I’m not so sure it would help students even if I was) but I try my best to describe what is going on inside my throat and mouth.  You can see first hand the affect that this manipulation has on the mouthpiece pitch as well as the sound of the tenor sax as a whole.

Learning this concept has huge benefits.  It helps with expression but it also helps with intonation in a great way.  If you have certain notes that are sharp or a top register that is sharp then you can very easily use this concept to bring the pitch down without using your embouchure at all.  This frees up your embouchure for vibrato and other tonal aspects that you might want to manipulate.

I hope you enjoy the video and find it useful. (32 Minute Video Lesson)

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Lesson Sample

https://public.neffmusic.com/The%20Art%20of%20Bending%20Notes%20clip.mp4

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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

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