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You are here: Home / Sax Lessons / Sax Expression / The Art of Bending Saxophone Notes Lesson
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The Art of Bending Saxophone Notes Lesson

The Art of Bending Saxophone Notes Lesson

$9.99

SKU: 177 Category: Sax Expression Tags: bend notes, saxophone, steve neff, throat, tongue, voicing notes
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Description

A great sax player has mastered the art of bending and shaping  their notes to express what they want to convey.  It might be a mood, attitude or emotion.  There is no doubt that bending notes adds excitement and emotion to a solo.  Bending notes on the saxophone is one of the coolest things that you can learn to do.  All the great jazz and R&B saxophone players bend there notes in some way.  Usually, the most expressive players and the ones who convey the most emotion and feeling in their playing are the ones who really manipulate and shape their sound the most.

For me, it’s similar to being a great reader or storyteller.  The worst thing you can do while reading a story to a child is to just have a monotone voice that drones on throughout the story……..never changing.  That’s a great way to get a child to fall asleep fast but a horrible way to keep their interest and attention.  You will find that the best storytellers are those that manipulate different aspects of their voice while reading.  They talk slower or faster.  They talk higher for a women’s voice or lower for a man’s voice.  They try to match the sound and style of the way they are speaking with the character that is saying it.  If the story is happy…..they sound happy.  If it sad, they sound sad.  If it is stressful they speak urgently and with some anxiety in their voice.  You will find a ton of volume changes while they read to help them convey different emotions to the listener. They might whisper and the child will lean forward to hear.  They might yell and the child will jump back startled.  All these elements are brought together to tell a story in a rich and expressive way.  I find that the great sax players use these same techniques to convey a story to their audience. The best ones use many different techniques to create a mood or  emotion.

One of the most common is the bending of notes on the saxophone.  In this video, I am showing you the technique I use to bend notes by just using your tongue and throat.  Many players will  learn how to bend notes by dropping their bottom jaw early on in their development.  The technique I am using here is a bit more nebulous and hard to define.  As I have taught over the last 10 years I have found this to be one of the hardest elements to teach to a student.  The problem is teaching in such a way that the student understands what I am saying and how to implement it without actually being able to see and experience the movement or action.  The other problem is trying to understand what is going on within the students throat and tongue position.  Many times a student is unaware of what is happening or is even mistaken about what is happening inside their own body.

This video is in response to a great player on the internet who sent me an email asking me to go into further depth about this bending with your throat concept.  He is an amazing player but has never been able to bend notes without using his embouchure and was very curious about the method I use to do this.

I try my best in this video to show you how I can bend the tenor mouthpiece pitch down while I blow by “voicing” the note lower.  I explain in the video how I am not knowledgeable at all about the medical terms for what I am describing (and I’m not so sure it would help students even if I was) but I try my best to describe what is going on inside my throat and mouth.  You can see first hand the affect that this manipulation has on the mouthpiece pitch as well as the sound of the tenor sax as a whole.

Learning this concept has huge benefits.  It helps with expression but it also helps with intonation in a great way.  If you have certain notes that are sharp or a top register that is sharp then you can very easily use this concept to bring the pitch down without using your embouchure at all.  This frees up your embouchure for vibrato and other tonal aspects that you might want to manipulate.

I hope you enjoy the video and find it useful. (32 Minute Video Lesson)

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Lesson Sample

https://public.neffmusic.com/The%20Art%20of%20Bending%20Notes%20clip.mp4

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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

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