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Approaching Rhythm Changes Lesson

Approaching Rhythm Changes Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 005 Category: Approach Notes Tags: approach notes, audio lesson, jazz improvisation, rhythm changes
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In jazz, rhythm changes is a modified form of the chord progression of George Gershwins’s song “I Got Rhythm”, which forms the basis of countless (usually uptempo) jazz compositions.  Examples of some tunes based off of  rhythm changes are Oleo, Cotton Tail, Salt Peanuts, Dexterity and Rhythm-a-Ning.   Today, mastery of the blues and rhythm changes are critical to mastering a jazz vocabulary.  You can’t go into a jam session or open mic to sit in without having a firm grasp of rhythm changes.  They are usually played at very fast tempos and if you don’t have a deep knowledge of the chords and song form you can quickly be left in the dust.

In this audio lesson, I show you a cool method to navigate through rhythm changes using approach notes lines from my book “Approach Note Velocity”.   Approach note lines are lines and patterns that use a series of “approach notes” to approach a target chord tone.  Approach note lines cause a temporary tension and dissonance in the line that is then relieved when you hit the target chord tone.  The great thing about these approach note lines is that they weave in and out of a key center while at the same time highlighting the notes of that key center on the strong downbeats.  For example, the “A” section of rhythm changes has many chords in it that are only 2 beats in length.  At a fast tempo the rhythm changes chords fly by and many improviser’s rely on stock lines and patterns to outline these changes in a rote way.  By using approach note lines over the “A ” section, we weave in and out of the key of C while navigatiing these rhythm changes chords.  This has the effect of highlighting the key of C while at the same time creating lines that are bouncing and weaving around the key center.  The freedom that this approach can give to the improviser is liberating.  Instead of being tied to a specific set of chord changes you can float above the changes as you improvise your lines and create new and different melodies.

Mastering this lesson is a great way to add a new dimension to your playing over rhythm changes while at the same time mastering all your approaches in five different keys.  This lesson also includes a 2 page pdf with examples of approaches you can play over the bridge.  If you master this stuff  you’ll be burning on “Oleo” in no time.  You will need my book “Approach Note Velocity” to get the most out of this lesson.  (20 Minute Audio Lesson)

1 review for Approaching Rhythm Changes Lesson

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    Rated 5 out of 5

    kenfukui – July 21, 2009

    I find practicing my approach note exercises over Rhythm Changes helps to ingrain the approach note phases while also working on Rhythm Changes. This lesson has really helped me apply what I have learned.

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Lesson Sample

https://public.neffmusic.com/Approaching%20Rhythm%20Changes%20clip.mp4

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Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

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If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

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I've learned more from you than anyone else in my 40 years of playing.
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
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Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
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Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

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60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

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Robert
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
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