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You are here: Home / Jazz Lessons / Approach Notes / Approach Note Velocity Overview Lesson
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Approach Note Velocity Overview Lesson

Approach Note Velocity Overview Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 004 Category: Approach Notes Tags: approach notes, audio lesson, jazz improvisation, jazz lines, jazz patterns
  • Description
  • Reviews (2)

Description

Approach notes are notes that are headed towards a particular target note.  Usually, the target note is a chord tone that you are aiming for that will give resolution to the line you are playing.  As you are playing these “approach note lines”, quite often there is dissonance in the line but when  you resolve it by achieving the target note it sounds great!  Many intermediate jazz improviser’s never get the knack of the dissonance resolution battle that goes on while they improvise  because they never work on nor master their approach notes.  Learning all your approach note patterns and lines is a great way to master the elements of tension and resolution.  It is also a fabulous way to  improve your ears, play faster more fluid jazz lines, understand how all 12 notes fit against a tonality  and finally, play some really fast cool jazz patterns that weave in and out of the changes in a hip and modern way.

In this 30 minute audio lesson, I give a general overview of my Approach Note Velocity books and concept.  This is not a step by step lesson series like the “Approach Note Freedom” series of lessons but rather an overview lesson  to get you started and up and running with the concepts.  I teach you how to best use the Approach Note Velocity books for the maximum benefit.   I take you step by step through the process that I myself went through years ago as I practiced all my approach note lines and patterns.  I demonstrate how to play the exercises and practice in the Approach Note Velocity books as well as the best way to practice these against Jamey Aebersold’s play alongs.   I  give you  tips and hints on how to apply the approaches to real life playing situations.  This is a great lesson for those of you who have my book and want further insights on how to get the most from it.  If you don’t have my “Approach Note Velocity” books then I would strongly suggest you get it in order to learn the most from this lesson.   (30 Minute Audio Lesson)

2 reviews for Approach Note Velocity Overview Lesson

  1. Avatar
    Rated 5 out of 5

    Donato Soviero – March 11, 2010

    Thanks Steve! Your insights have really opened up a whole new area of study for me. These approaches are something I used to stumble on as isolated licks. You’ve really explored and organized the whole concept beautifully!
    Thank you, thank you!

  2. Avatar
    Rated 5 out of 5

    John Tattersall – July 24, 2013

    I just thought I would let you know how I’m getting on with the book. I totally get it now and am delighted with it. I’ve been working on C major only with the Aebersold Major backing track. Having memorized the patterns up to about No 4 and then combining them with existing jazz language which I already use I have found it is really opening another door to my improvisation improvement. I intend to make working on the patterns a priority over the next year.

    Many Thanks

    John

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Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

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Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
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I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
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Karin

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

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