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You are here: Home / Jazz Lessons / Approach Notes / Approach Note Freedom Lesson 12
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Approach Note Freedom Lesson 12

Approach Note Freedom Lesson 12

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 183 Category: Approach Notes Tags: approach notes, jazz improvisation, jazz lines, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In Lesson 12 of the Approach Note Freedom Series, I give you 7 II-V-I patterns to practice in all keys.  These patterns utilize all of the approaches we have used so far in a variety of ways.  This lesson can be a real challenge but if mastered you will gain the ability to weave through II-V-I patterns using all of the approaches so far.  Being able to use approaches in this way is very important if you want to be able to use them in an improvisational setting.  This lesson comes with a one page PDF sheet of the 7 II-V-I patterns.  I demonstrate them all on my tenor sax and a florida link mouthpiece. (Audio & Video)

1 review for Approach Note Freedom Lesson 12

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    Rated 5 out of 5

    Niklas – September 17, 2015

    The material is this lesson is really great.
    About a year ago I started working on simply spelling out the changes while improvising. My goal was to be able to do this in a reasonably fluent way on e.g. Confirmation. I did some little progress, but then not so much happened.
    Then I stumbled on the approach note freedom series and realized that this is probably something that could put me in a better position. I put in a fair number of hours doing just two approaches in all major keys (starting with whole tone below and whole tone above target note) , and also the scale tone above, half tone below really thoroughly. Then I came up with the idea of running through the changes non-stop using the approaches just like introduced in this lesson.
    It was very much fun, and very difficult. Today this is my default way of studying a tune, besides playing it on the piano.
    Just running through the chords or scales on the sax simply doesn’t make the same “impact” compared to running approaches. (Of course this is subjective) The many possible combinations invites you to play e.g. 4 bars again and again in many different ways.

    This lesson presents running approaches over II V I progressions which is of course a more appropriate portion to start with than a whole tune.

    This method is applicable for progressions with varying chord duration and I think it helps you get a better feeling for the harmonic rhythm too.

    Doing this exercise perhaps 25 hours in total on a couple of tunes has helped quite a bit already.

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Lesson Sample

https://public.neffmusic.com/Approach%20Note%20Freedom%20Lesson%2012%20clip.mp4

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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

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