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You are here: Home / Jazz Lessons / Approach Notes / Approach Note Freedom Lesson 12
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Approach Note Freedom Lesson 12

Approach Note Freedom Lesson 12

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 183 Category: Approach Notes Tags: approach notes, jazz improvisation, jazz lines, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In Lesson 12 of the Approach Note Freedom Series, I give you 7 II-V-I patterns to practice in all keys.  These patterns utilize all of the approaches we have used so far in a variety of ways.  This lesson can be a real challenge but if mastered you will gain the ability to weave through II-V-I patterns using all of the approaches so far.  Being able to use approaches in this way is very important if you want to be able to use them in an improvisational setting.  This lesson comes with a one page PDF sheet of the 7 II-V-I patterns.  I demonstrate them all on my tenor sax and a florida link mouthpiece. (Audio & Video)

1 review for Approach Note Freedom Lesson 12

  1. Avatar
    Rated 5 out of 5

    Niklas – September 17, 2015

    The material is this lesson is really great.
    About a year ago I started working on simply spelling out the changes while improvising. My goal was to be able to do this in a reasonably fluent way on e.g. Confirmation. I did some little progress, but then not so much happened.
    Then I stumbled on the approach note freedom series and realized that this is probably something that could put me in a better position. I put in a fair number of hours doing just two approaches in all major keys (starting with whole tone below and whole tone above target note) , and also the scale tone above, half tone below really thoroughly. Then I came up with the idea of running through the changes non-stop using the approaches just like introduced in this lesson.
    It was very much fun, and very difficult. Today this is my default way of studying a tune, besides playing it on the piano.
    Just running through the chords or scales on the sax simply doesn’t make the same “impact” compared to running approaches. (Of course this is subjective) The many possible combinations invites you to play e.g. 4 bars again and again in many different ways.

    This lesson presents running approaches over II V I progressions which is of course a more appropriate portion to start with than a whole tune.

    This method is applicable for progressions with varying chord duration and I think it helps you get a better feeling for the harmonic rhythm too.

    Doing this exercise perhaps 25 hours in total on a couple of tunes has helped quite a bit already.

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Lesson Sample

https://public.neffmusic.com/Approach%20Note%20Freedom%20Lesson%2012%20clip.mp4

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Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

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