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You are here: Home / Jazz Lessons / Modern Improv / Altered Dominant Bebop Scale-Lesson 1
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Altered Dominant Bebop Scale-Lesson 1

Altered Dominant Bebop Scale-Lesson 1

$9.99

SKU: 245 Category: Modern Improv Tags: altered dominant, bebop scale, dominant chords, modern improvisation
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Description

This is a video lesson on an exciting new concept that I have recently discovered.  In this lesson,  I introduce you to what I call the Altered Dominant Bebop Scale.  I have taken the Altered scale and turned it into an altered bebop scale.  It is similar in concept to the dominant bebop scale except instead of accenting the 1,3,5,b7 of the dominant chord it accents the 1,#9,#11 and b13 on the downbeats.  These altered notes are great to land on over an altered dominant tonality.  Besides those altered notes the scale also has the b9,3,b7,11 so it hits all the altererations of the normal altered scale.

This is a brand new idea for me that I’ve been working on over the last few days.  I’m excited to see where practicing this with the dominant bebop scale will take my lines over common ii-V-I progressions.  Join me as we work through this altered dominant bebop scale concept together.  I have included 12 PDF sheets of the scale in all keys and a few exercises to practice in all keys in order to start getting the scale under your fingers.  I play many examples on my soprano to a background track so you can hear how it sounds.(27 Minute Video Lesson & PDF)

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Lesson Sample

https://public.neffmusic.com/Altered%20Dominant%20Bebop%20Scale-Lesson%201%20clip.mp4

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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James

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