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You are here: Home / Jazz Lessons / Modern Improv / Altered Dominant Substitutions-Lesson 1
Altered Dominant Substitutions-Lesson 1

Altered Dominant Substitutions-Lesson 1

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 249 Category: Modern Improv Tags: altered dominant, altered scale, chord substitution, modern jazz improvisation
  • Description
  • Reviews (1)
  • Lesson Sample

Description

I have been asked many times to do some more video lessons on the altered scale and sound.   The altered scale is one of the hippest and more modern sounds out there.  It is derived from the melodic minor scale and most modern players use it quite often on dominant chords.  By using the altered scale you create lines that use all the altered tensions of a dominant chord.  The b9,#9,3,#11,b13 and b7.  This gives the line or idea an “outside” sound.  A sound with a lot of tension and dissonance.  This type of  tension sounds terrific when it is used by an improviser that can control it.  The trick is to resolve it correctly.

In Altered Dominant Substitutions-Lesson 1, I teach you how to play an altered scale sound on the V7 of a ii-V-I progression by focusing on a small segment of the altered scale and creating lines with these notes.  By focusing on a smaller selection of altered notes, you will find that you will come up with totally different and unique lines than you normally would using the altered scale as a whole.  The other side benefit of this technique, is that this concept is fairly easy to put into practice immediately and you will find yourself creating more melodic lines based on these altered segments.  This is a terrific lesson series to get into if you want to get away from your average stale ii-V-I ideas and play with a more modern hipper sound. (28 Minute Video Lesson & PDF)

1 review for Altered Dominant Substitutions-Lesson 1

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    Rated 5 out of 5

    Ken – February 13, 2011

    The series of Altered Dominant Substitution lessons I found very helpful. This is a much easier way of implementing the altered scale.

    Thanks Steve again for all the great lessons.

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Lesson Sample

https://public.neffmusic.com/Altered%20Dominant%20Substitutions-Lesson%201%20clip.mp4

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Testimonials

Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

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