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Altered Dominant Bebop Scale-Lesson 1

Altered Dominant Bebop Scale-Lesson 1

$9.99

SKU: 245 Category: Modern Improv Tags: altered dominant, bebop scale, dominant chords, modern improvisation
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Description

This is a video lesson on an exciting new concept that I have recently discovered.  In this lesson,  I introduce you to what I call the Altered Dominant Bebop Scale.  I have taken the Altered scale and turned it into an altered bebop scale.  It is similar in concept to the dominant bebop scale except instead of accenting the 1,3,5,b7 of the dominant chord it accents the 1,#9,#11 and b13 on the downbeats.  These altered notes are great to land on over an altered dominant tonality.  Besides those altered notes the scale also has the b9,3,b7,11 so it hits all the altererations of the normal altered scale.

This is a brand new idea for me that I’ve been working on over the last few days.  I’m excited to see where practicing this with the dominant bebop scale will take my lines over common ii-V-I progressions.  Join me as we work through this altered dominant bebop scale concept together.  I have included 12 PDF sheets of the scale in all keys and a few exercises to practice in all keys in order to start getting the scale under your fingers.  I play many examples on my soprano to a background track so you can hear how it sounds.(27 Minute Video Lesson & PDF)

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Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
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Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
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Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
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Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
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Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

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For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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