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You are here: Home / Jazz Lessons / Approach Notes / All the Approaches Lesson 1-All the Things You Are
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All the Approaches Lesson 1-All the Things You Are

All the Approaches Lesson 1-All the Things You Are

Rated 5.00 out of 5 based on 3 customer ratings
(3 customer reviews)

$9.99

SKU: 052 Category: Approach Notes Tags: all the things you are, approach notes, audio lesson, jazz improvisation
  • Description
  • Reviews (3)
  • Lesson Sample

Description

In this, the first in a series of lessons on mastering approaches over jazz standards, I use the tune “All the things you are” to teach you how to target and approach the chord tones to produce flowing, logical lines, that move convincingly through the chord changes. These lessons are an offshoot of my “Approach Note Velocity” books. Whereas those books are about playing approaches over static major and minor grooves, these lessons are about playing the approaches on standards that change chords quite often.
I start at the very beginning and show you how to approach, or target the chord tones from a scale step above. I demonstrate how to approach the Root, Third, Fifth and Seventh of each chord to build a solo that moves logically and musically from chord to chord, rather than the haphazard “hit or miss” method that many beginners struggle with. Using the great jazz standard “All the things you are”, I show you how to put this method into use straight away. You’ll learn how to practice these approaches so that they become an integral and automatic part of your playing style. As we progress through these Approach Note lessons, you’ll find your technique and musicality improving tremendously as playing over standard changes becomes demystified and accessible. I show you how to apply this method to any tune you’re learning. If you’ve always wondered how the pro players manage to play over chord changes with such apparent ease, and longed to be able to do the same, then working on these Approach Note lessons will help you achieve that goal.
This lesson includes a PDF sheet that clearly explains all the approaches I use over “All the things you are.”  (Audio)

3 reviews for All the Approaches Lesson 1-All the Things You Are

  1. Avatar
    Rated 5 out of 5

    Saxman – April 21, 2009

    An excellent introduction to the art of targeting chord tones. Steve does a great job of demonstrating this idea and more importantly,he shows you how to go about practicing and incorporating these approaches.

  2. Avatar
    Rated 5 out of 5

    C.N. – July 4, 2009

    Sometimes I would stumble trying to come up with ideas over chord changes in a smooth and connected manner. Once, again, thanks to Steve and his explanations, demonstrations and pdf. file, the fog is clearing. Thank you for the outstanding guidance1 C.N.

  3. Avatar
    Rated 5 out of 5

    Robert – October 8, 2009

    Another excellent series of lessons. I am really enjoying them. The pace and content are just right.

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Lesson Sample

https://public.neffmusic.com/All%20The%20Approaches-%20Lesson%201%20clip.mp4

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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

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Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

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Robert
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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