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You are here: Home / Jazz Lessons / Approach Notes / All the Approaches Lesson 1-All the Things You Are
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All the Approaches Lesson 1-All the Things You Are

All the Approaches Lesson 1-All the Things You Are

Rated 5.00 out of 5 based on 3 customer ratings
(3 customer reviews)

$9.99

SKU: 052 Category: Approach Notes Tags: all the things you are, approach notes, audio lesson, jazz improvisation
  • Description
  • Reviews (3)
  • Lesson Sample

Description

In this, the first in a series of lessons on mastering approaches over jazz standards, I use the tune “All the things you are” to teach you how to target and approach the chord tones to produce flowing, logical lines, that move convincingly through the chord changes. These lessons are an offshoot of my “Approach Note Velocity” books. Whereas those books are about playing approaches over static major and minor grooves, these lessons are about playing the approaches on standards that change chords quite often.
I start at the very beginning and show you how to approach, or target the chord tones from a scale step above. I demonstrate how to approach the Root, Third, Fifth and Seventh of each chord to build a solo that moves logically and musically from chord to chord, rather than the haphazard “hit or miss” method that many beginners struggle with. Using the great jazz standard “All the things you are”, I show you how to put this method into use straight away. You’ll learn how to practice these approaches so that they become an integral and automatic part of your playing style. As we progress through these Approach Note lessons, you’ll find your technique and musicality improving tremendously as playing over standard changes becomes demystified and accessible. I show you how to apply this method to any tune you’re learning. If you’ve always wondered how the pro players manage to play over chord changes with such apparent ease, and longed to be able to do the same, then working on these Approach Note lessons will help you achieve that goal.
This lesson includes a PDF sheet that clearly explains all the approaches I use over “All the things you are.”  (Audio)

3 reviews for All the Approaches Lesson 1-All the Things You Are

  1. Avatar
    Rated 5 out of 5

    Saxman – April 21, 2009

    An excellent introduction to the art of targeting chord tones. Steve does a great job of demonstrating this idea and more importantly,he shows you how to go about practicing and incorporating these approaches.

  2. Avatar
    Rated 5 out of 5

    C.N. – July 4, 2009

    Sometimes I would stumble trying to come up with ideas over chord changes in a smooth and connected manner. Once, again, thanks to Steve and his explanations, demonstrations and pdf. file, the fog is clearing. Thank you for the outstanding guidance1 C.N.

  3. Avatar
    Rated 5 out of 5

    Robert – October 8, 2009

    Another excellent series of lessons. I am really enjoying them. The pace and content are just right.

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Lesson Sample

https://public.neffmusic.com/All%20The%20Approaches-%20Lesson%201%20clip.mp4

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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

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Mark Peotter
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

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I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
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