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You are here: Home / Jazz Lessons / Practice Habits / A Practical Practice Routine Lesson
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A Practical Practice Routine Lesson

A Practical Practice Routine Lesson

Rated 5.00 out of 5 based on 3 customer ratings
(3 customer reviews)

$9.99

SKU: 120 Category: Practice Habits Tags: jazz improvisation, learning an instrument, practice routine, video lesson
  • Description
  • Reviews (3)
  • Lesson Sample

Description

In this lesson I take you through my practice routine of the past 20 years. This lesson has to do with one of the most asked questions i receive by email……..How do I practice? What do I practice? I talk about the 5 elements of the routine and how I focus my practice time on specific goals and areas for each practice.  The areas I focus on are Tone, Technique, Tunes, Sight Reading and Ear Training.  I talk about how I divide my time and how important it is to focus on one specific thing. i hope you will get some great tips that will help you in your practice. Enjoy!  (Video)

3 reviews for A Practical Practice Routine Lesson

  1. Avatar
    Rated 5 out of 5

    Mark – November 23, 2010

    I recently downloaded the ‘practical practice routine’ this gives great focus to the areas that you need to develop, it identifies issues of information overload and encourages you to highlight an area of improvisational technique that requires improvement. There are five key areas including tone, tunes technique, ear and eye training, this is a lesson that could be easily missed but should form a crucial part of a players toolkit, Steve also talks about the importance of ending your practice on a mental high. I love the way these lessons all integrate with each other, every lesson containing part of the big picture, this is probably the biggest reason I like to source all my learning from Neffmusic.

  2. Avatar
    Rated 5 out of 5

    Mark Crowley – May 10, 2011

    For the longest time I felt overwhelmed with how much information one must consume when learning a musical instrument – let alone learning jazz theory. My practice sessions felt unorganized and I wasn’t sure what I should be concentrating on. In this lesson, Steve really puts things into perspective and gives you an organized and focused road map on how to practice the jazz saxophone effectively. He explains how to break up a practice session so that you hit all the important areas (technique, theory, repertoire, etc.). I found this lesson to be very helpful!

  3. Avatar
    Rated 5 out of 5

    Vincent – April 30, 2015

    I must have these tips of Tone, Technigue, Tunes, Site Reading and Ear Training right near or on computer. There are so many times where I have no plan and practice has been bad becomes a waste of time. This lesson is essential to moving forward. Thank you.

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Lesson Sample

https://public.neffmusic.com/A%20Practical%20Practice%20Routine%20clip.mp4

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Testimonials

I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I have NEVER seen material like yours.  Amazing!!
Jerry
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

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