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You are here: Home / Jazz Lessons / Blues Scales / 12 Great A7 Dominant Blues Licks Lesson
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12 Great A7 Dominant Blues Licks Lesson

12 Great A7 Dominant Blues Licks Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 048 Category: Blues Scales Tags: blues licks, blues scale, jazz improvisation, patterns
  • Description
  • Reviews (2)
  • Lesson Sample

Description

The dominant chord is one of the most important and frequently encountered chords in all styles of music.  From Jazz to Rock, from Funk to Pop, learning to play over the Dominant Seventh chord is an essential requirement for any player.

In this lesson,  I show you 12 great blues licks using the Blues Scales you’re already familiar with, to create great sounding lines over a Dominant Seventh chord.  Listen and then play along with the blues licks on the PDF sheet included with the lesson.  I demonstrate each blues lick a number of times on the tenor saxophone, so that you can hear the phrasing, inflections and style of each lick.  I also demonstrate and discuss adding different notes to the basic Blues Scale to create more modern hip sounding lines.  I demonstrate how to handle the different notes of the Blues Scale over a Dominant sound.  I talk about the inherent tension of the Dominant Chord and how you can learn to create and resolve tension in your solo.  I demonstrate this concept on my tenor sax, so that you can actually hear how each note wants to resolve. I also explain what is happening in each blues lick and why different notes of the scale want to resolve in different ways.  Once you hear and understand this idea, rather than just memorizing these blues licks, you’ll learn how to create your own great sounding blues licks based upon this concept.
I also discuss my approach to practicing and internalizing these blues licks and give you ideas for making your practice enjoyable as well as productive by using play-along tracks and blues, pop and funk tunes you might have in your collection.

This lesson makes a great follow up to my earlier Blues Lessons and will really get you using the Blues Scale in a whole new way.  (30 Minute Audio Lesson)

2 reviews for 12 Great A7 Dominant Blues Licks Lesson

  1. Avatar
    Rated 5 out of 5

    C.N. – July 4, 2009

    Wow!!!!!!!!!! Do you need some ideas to add to your blues repertoire? If you do, start right here! You won’t need anything else for quite a while. I really enjoy this lesson! (actually, I enjoy all of them) But, this one, Wow!!!!!!!!!!!! Thank you Steve! C.N.

  2. Avatar
    Rated 5 out of 5

    Greg – September 26, 2018

    Hi Steve
    Today I’ve been playing through a lesson that you created on A7 blues licks and it provided the missing link for me between major and minor blues. How you’ve emphasized the 4th and flat 7th brings an authentic dominant blues sound alive. I just wanted to say thank you for a terrific lesson and I’m glad you are still teaching and sharing what works so clearly.

    I’m going to buy your dominant blues book and pick up a few more brilliant ideas.

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Lesson Sample

https://public.neffmusic.com/12%20Blues%20Licks%20clip.mp4

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Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

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I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I have NEVER seen material like yours.  Amazing!!
Jerry

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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