• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Macsax Soco Tenor Saxophone Mouthpiece Review

Macsax Soco Tenor Saxophone Mouthpiece Review

December 17, 2019 by Steve 4 Comments

Today, I am reviewing a Macsax Soco 8 tenor saxophone mouthpiece (formerly the FJ III model, I reviewed an original FJ III 8 years ago!).  I was contacted by Jeff Gjertsen at Macsax earlier this year and asked if I would be willing to review the brand new line of Macsax tenor saxophone mouthpieces.  Of course, I was excited to try these beautiful mouthpieces out!  Jeff was nice enough to send me this gold Soco model 8 tenor sax mouthpiece as well as a silver Queso model 8* tenor saxophone mouthpiece to try out as well.


Macsax Soco Tenor Saxophone Mouthpiece

First of all, the Macsax Soco tenor saxophone mouthpiece is beautiful to look at.  Before I even received the mouthpieces in the mail, Jeff at Macsax sent me some photos of their new line of mouthpieces that just looked stunning.  When I finally received the package and unwrapped the mouthpieces, I was just as impressed.  These are beautifully crafted works of art.

The Macsax Soco tenor sax mouthpiece feels heavy in your hand as you hold it as it is made from a solid rod of brass.  The gold plating looks thick and perfect with not a flaw or blemish anywhere in sight.  The mouthpiece comes with a stylish red marble bite plate that looks fantastic as well.  On the top of the mouthpiece is engraved MACSAX in all capital letters and on the top side of the shank is engraved SOCO ATX (I assume ATX stands for Austin, Texas as that is where Macsax is based out of). On the underside of the shank is the tip opening of 8 and USA.

Macsax Soco Tenor Saxophone Mouthpiece

Here is the description of the Macsax Soco tenor saxophone mouthpiece from the Macsax website:

The MACSAX SOCO (formerly FJ III) was created to be a versatile mouthpiece for a traditional jazz tenor player. The sound of this piece is reminiscent to that of an old Link but with a fuller upper register without added brightness. This piece was designed to be very versatile; it is suited for playing soft standards in quiet settings but can also be right at home in a loud rock band. It has a fat, luscious core sound at all dynamic levels.

Each MACSAX SOCO is made from a solid rod of brass with a red marbled hard rubber bite plate which is CNC milled for a very consistent and high quality mouthpiece.

Macsax Soco Tenor Saxophone Mouthpiece

The tip, rails, table and baffle of the Soco tenor mouthpiece all look perfectly crafted.  The window of the mouthpiece looks extra long and wide in comparison to my other tenor sax mouthpieces which I believe is a feature to let more of the reed vibrate and resonate while playing.  The side rails and tip rail look thin, even and precise.  The tip rail is close to the shape of my Rigotti Gold reeds although the outside curve of the tip rail looks to bend towards the side rail a little bit sooner than the shape of the Rigotti reeds but it is really close in shape.

The baffle seems to be a straight line from the tip rail down to the edge of the chamber.  I don’t see any rollover in the baffle shape at all as I examine the baffle. (I am not sure whether to categorize this as a medium baffle or low baffle?  The straight line with no rollover makes me think of a low baffle but it is still at a medium height when it gets to the chamber so I put it in the medium baffle category)

The sidewalls are straight as they head back to the chamber as well. The chamber looks to be extra large in size to my eye.  The bore of the mouthpiece comes right up to where the baffle ends and the extra long and wide window gives the impression of an extra large chamber area to me.

Macsax Soco Tenor Saxophone Mouthpiece

The Macsax Soco tenor sax mouthpiece is slightly thicker in diameter than a typical metal Otto Link tenor sax mouthpiece. Ligatures than fit an Otto Link metal mouthpiece will fit on the Macsax metal mouthpieces as well if you open the ligature up a bit.  For example, my fabric Rovner ligature for metal tenor mouthpieces worked great on the Soco as did my Selmer 404 silver metal ligature if I opened it up a bit more. (Although, my Francois Louis Ultimate ligature for metal Otto Links would not fit on the Soco as it was too tight)

The bore of the Macsax Soco tenor sax mouthpiece was similar to the bore of a typical metal Otto Link mouthpiece as well and fit on my slightly worn down neck cork nicely.

Macsax Soco Tenor Saxophone Mouthpiece

The Macsax Soco tenor saxophone mouthpiece is one of the more freeblowing saxophone mouthpieces I have reviewed.  On a typical 8 tip opening (.110), I usually use a Rigotti Gold 2 1/2 strong reed or sometimes a 3 light reed. On the Soco tenor mouthpiece, the 3 light reed felt way too soft because the mouthpiece is more free blowing so I had to move up to the 3 medium strength reed which I really liked on the Soco mouthpiece.

The Soco tenor mouthpiece comes with a Rovner Versa ligature but I didn’t really like the affect this ligature had. It actually made the mouthpiece even more free blowing as the reed vibrated even more freely and I had to move up to an even harder reed of 3 strong.  I seemed to prefer the resistance that the regular fabric Rovner gave me to the more free blowing Rovner Versa ligature but you might feel differently about it when you try one out.

Macsax Soco Tenor Saxophone Mouthpiece

The Macsax Soco tenor saxophone mouthpiece played great for me with the Rigotti Gold 3 medium reed and the Rovner fabric ligature.  The tone seemed to lean to the darker side of a tenor tone to me as it doesn’t have a lot of brightness and edge in the tone. The tone is thick, full and round while having a strong core to it.  At the same time, the tone seemed fat and more spread to me at softer volumes which I found interesting. The more air I pushed through the Soco tenor sax mouthpiece the more focused the tone seemed to get.

Macsax Soco Tenor Saxophone Mouthpiece

The tone was even and smooth throughout the range of the horn.  The intonation was actually really good.  Better than usual actually.  I think the extra large chamber is a good fit on my Selmer SBA (Super Balanced Action) tenor sax as many of the notes that tend to be sharp were right on the 0 of the tuner when I checked them which is pretty rare without me having to adjust to get them there.

The low notes sound thick, fat and lush to me and it was easy to play the notes in the lower range of the horn and to subtone.  The altissimo register was also very clear and easy to produce.

I found the Macsax Soco tenor mouthpiece unique in that the louder volumes didn’t typically get more spread and blatty in tone like many mouthpieces do when pushed into overdrive.  The Soco mouthpiece seemed to keep it’s round core and centered focus to the notes even at the higher volume and never got out of control.

Just to clarify, when I write that a sax mouthpiece is free blowing, what I mean is that in comparison to other mouthpieces with more resistance the Soco mouthpiece gets to the top volume a lot easier and faster with less air.  My impression is that if I blow the amount of air that gives me a 5 on the volume scale of a mouthpiece with resistance, that same amount of air might give me a 7 or 8 in volume on the Soco tenor sax mouthpiece. This is neither good nor bad in my mind but just feels different if you are use to blowing with more resistance and is just something you get used to as you play the mouthpiece.

Macsax Soco Tenor Saxophone Mouthpiece

In my opinion, the Macsax Soco tenor saxophone mouthpiece is a great mouthpiece for those of you looking for a sax mouthpiece with a fat thick tone that also has a nice focus to it.   I think Jeff Gjertsen at  Macsax mouthpieces has done a great job with the Soco tenor saxophone mouthpiece.  It looks fabulous and plays great!

Macsax has recently revamped their website at Macsax, so make sure you check it out if you are interested in the Macsax Soco tenor saxophone mouthpiece.  Macsax also has a Queso model tenor saxophone mouthpiece that has a slightly higher baffle than the Soco model being reviewed today.  I will be reviewing the Queso model tenor mouthpiece also very soon.

If you try a Macsax Soco tenor saxophone mouthpiece or have any thought or comments on this review,  I would love to hear what you think in the comments below. Thanks,   Steve

https://cdn.neffmusic.com/2019/MacsaxSoco.mp3

Macsax Soco Tenor Saxophone Mouthpiece-Rigotti Gold 3 Medium Reed-No Effects

https://cdn.neffmusic.com/2019/MacsaxSocoRev.mp3

Macsax Soco Tenor Saxophone Mouthpiece-Rigotti Gold 3 Medium Reed-Reverb Added

Disclosure: I received the sample mouthpiece mentioned above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also. Steve

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: FJIII, MacSax, mouthpiece, review, sax, Soco, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarPeter Nguyen says

    December 17, 2019 at 1:18 pm

    The extra long and wide window IMO has the effect of increasing the chamber size, which may enhance the low notes. The same for JodyJazz DV. The part of the reed that faces the window is very hard and I doubt it will vibrate at all.

    Reply
    • SteveSteve says

      December 17, 2019 at 1:25 pm

      Peter, You are probably right but I wonder if it frees up the reed further up towards the tip as the part of the reed over the more open window isn’t clamped down onto the table like on other mouthpieces…… It definitely feels more free blowing that is for sure…… Steve

      Reply
    • SteveSteve says

      December 17, 2019 at 2:23 pm

      Also, I have played a bunch of mouthpieces with extra large chambers and that larger chamber does not relate to more free blowing necessarily. I think this has more to do with the reed being freed up than the size of the chamber. Steve

      Reply
  2. AvatarMatt says

    December 17, 2019 at 2:42 pm

    Boy, that sure looks like it should sound like a Warburton LA, which is a bit of a design predecessor to the FJ-III. It sounds more focused and less throaty though to my ear.

    Reply

Leave a Reply to Matt Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I have NEVER seen material like yours.  Amazing!!
Jerry
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.67 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Steve on Kessler Custom NY7 Alto Saxophone Mouthpiece by Theo Wanne Review
  • Dave Kessler on Kessler Custom NY7 Alto Saxophone Mouthpiece by Theo Wanne Review
  • Dave Kessler on Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne Review
  • Joe on SYOS Dayna Stephens Signature Model Soprano Saxophone Mouthpiece Review
  • Frank Greco on Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026