• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / JX Custom Series B Alto Saxophone Mouthpiece Review

JX Custom Series B Alto Saxophone Mouthpiece Review

June 6, 2018 by Steve 4 Comments

Today, I am reviewing the JX Custom Series B alto saxophone mouthpiece.    This is made by Jianxing Li in Guangzhou, China.  The JX custom Series B is advertised as a replica of a 1980’s Beechler metal alto saxophone mouthpiece.  I have never played a Beechler metal alto sax mouthpiece from the 1980’s but my main alto mouthpiece when I was at Berklee was a hard rubber Beechler s5s that I absolutely loved. The only thing I know about the metal Beechler mouthpieces from the 80’s is that I see them being sold on ebay for astronomical sums of money.  I’ve seen people asking over one thousand dollars for these and have been told they sell at that price! Why? (There’s one on Ebay as I write this with a buy it now of 1200 dollars!)

JX Custom Series B Alto Saxophone Mouthpiece

I was contacted by an individual who asked if I would be interested in reviewing this mouthpiece if he sent me one.  I said yes, mainly because I was so curious about what makes those 1980 Beechler mouthpieces so desirable. If this was a good replica then I was curious to try it.  I received the JX mouthpiece a couple of weeks later.

I am told the JX Custom Series B alto saxophone mouthpiece is made of stainless steel.  I feel sorry for whoever works on these as  I have heard that working with stainless steel is excruciating on the hands.

The mouthpiece looks nice to the eye.  It does look similar in design to the 1980 metal Beechler alto saxophone mouthpieces I have seen in pictures.  The shape of the body, table and baffle look very similar if not the same.

JX Custom Series B Alto Saxophone Mouthpiece

The JX alto mouthpiece rails and tip look well crafted and precise.  The width of the mouthpiece tip and rails seem to be exactly the width of the reed.  I mean exactly!  It reminds me of a couple handmade Guardala mouthpieces I have owned where you have to be really exact lining up your reed or it will be slipping over an edge on one side.

The mouthpiece I am reviewing today is a 7 tip opening.  I’m not sure what that measures to but I am comfortable at .078-.083 tip openings on the alto sax and this feels somewhere in that range.

The side rails are straight and I would call the chamber a “small” chamber.  The baffle looks to be of medium height in my opinion.  It gently curves down to the chamber opening.

JX Custom Series B Alto Saxophone Mouthpiece

I would say that the JX Custom Series B alto mouthpiece has more resistance to it than other mouthpieces with similar tip openings.  My Rigotti Gold 2 1/2 strong reeds felt too hard and resistant on it so I had to look for a Java 2 1/2 in my box of used reeds as I don’t have any new ones.  The first one I picked out played well but I still felt a bit of underlying resistance as I blew.  I think with a 2 1/2 Java it is fine though.  The resistance gives me something to blow against and helps you to shape the sound. I’m guessing the resistance has to do with the small chamber of the mouthpiece only being able to take so much air through it.

I felt  like the JX alto mouthpiece gave me a bright dry tone in my opinion. I wouldn’t describe the tone as “fat” but more bright  and focused.  I liked the recording with reverb a bit more than the dry recording because I feel like the reverb fattens up the sound of the JX a bit.

JX Custom Series B Alto Saxophone Mouthpiece

Just looking at the baffle, you wouldn’t think the JX Custom Series B mouthpiece would be all that bright but if you couple that medium baffle with the small chamber you get a brighter tone.

The intonation was as expected on my Selmer Reference 54 alto saxophone.  I say “as expected” because whenever I play a  mouthpiece with a baffle and small chamber my middle E tends to be really sharp.  Sometimes between 20-30 cents sharp.  It takes some getting used to and I have to “voice” that note down a bit lower than I usually do on a larger chambered mouthpiece.  It is something that you can adjust for and get used to in my opinion.

JX Custom Series B Alto Saxophone Mouthpiece

I’ve provided two samples of the same clip below.  One is a clip with added reverb and the other is a dry clip in a moderate sized room.  I think it’s important to add the reverb clip just so people can get a sense of what the sound is like with a little bit of that added affect since the added reverb tend to soften the edge and fatten the tone a bit.

The JX Custom Series B alto sax mouthpiece is a great example of a well crafted medium baffle, small chambered alto mouthpiece.  If you have been on the search for an alto sax mouthpiece that will give you a bright edgy sound with power this is a great one to consider.

Thanks to Jianxing Li and Zhu Haiming for working together to get me a mouthpiece to review.  If you are interested in the JX Custom Series B alto mouthpiece you can email Mr. Li at jxmouthpieces@163.com.  At the writing of this review, JX Mouthpieces do not have a website but I am told they are working on one.

Let me know your thoughts in the comments below and if you get a JX Custom Series B alto saxophone mouthpiece be sure to come back and let us know what you think below.  I’d also love to hear from any of you that have played  these 1980 metal Beechler alto sax mouthpieces and can tell me why they are so desired and valuable……..Thanks!!

https://cdn.neffmusic.com/2018/JXAltoReverb2.mp3

 

JX Custom Series B Alto Saxophone Mouthpiece-Added Reverb

https://cdn.neffmusic.com/2018/JXAlto.mp3

 

JX Custom Series B Alto Saxophone Mouthpiece-Dry

Disclosure:  I received the sample mouthpiece mentioned above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: 1980 Beechler, Alto Saxophone, China, JX mouthpiece, metal, Series B

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarEgil Furre says

    June 6, 2018 at 1:02 pm

    It sounds like it has a short facing curve. When I reface Beechler bellites I give them a little longer facings (from “short” to “medium”). It takes away some resistance and makes them play better in the bottom of the horn. I‘ve been playing one of the Custom Bellites about 10 years, this Custom model had a longer facing curve and a little lower baffle when I bought it.

    Reply
    • SteveSteve says

      June 7, 2018 at 8:29 am

      Egil,
      That may be true about the short facing curve as I have experienced other mouthpieces with short facing curves needing softer reeds. That’s a good tip about putting a more medium curve on them. Do you know the measurement number for the length of the curve you are talking about. What are they typically when they are short? What length do you make them to be medium? I’m just curious. Thanks, Steve

      Reply
  2. AvatarEgil says

    June 9, 2018 at 6:16 am

    Hi!
    I don’t know what facing length Beechler intent to put on them, but the latest two alto bellites I had here where about 39 (19,5 mm). I tested them with differend facing length and found that 40.5 was perfect for me to match my choice of “the perfect alto reed resistance” (vandoren 2.5 red java/V16).
    Egil

    Reply
    • SteveSteve says

      June 12, 2018 at 9:41 am

      Egil, Thanks for the info. Steve

      Reply

Leave a Reply to Egil Furre Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Mastering Altered Pentatonics (Digital PDF Book) Mastering Altered Pentatonics (Digital PDF Book)
    Rated 5 out of 5
    by Jim Ramsey
  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.75 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • vicenturi75 on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Bob S. on Theo Wanne Essentials Jazz Alto Saxophone Mouthpiece Review
  • 辛建东 on Theo Wanne Ambika 3 Gold Tenor Saxophone Mouthpiece Review
  • Szuhai Janos on Macsax Jalapeño ATX Gold Tenor Saxophone Mouthpiece Review
  • Giuseppe G. on JS Custom Nova 6 Alto Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026