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You are here: Home / Neff Book Reviews / NEW Book-Mastering Altered Pentatonics

NEW Book-Mastering Altered Pentatonics

September 9, 2017 by Steve 4 Comments

I just released a new book I have been working on for a number of years now.  It covers the basic pentatonic scale in all 12 keys with 29 great pentatonic patterns to practice.  It also includes 11 altered pentatonics in these patterns that you can use for a more modern “outside” sound to your lines that I love.  Here’s the full description of the book below:

Any serious fan of jazz has at one time or another heard a solo where the line being played made them turn towards the soloist with a look of concern. “Where were they going with this line?” “What are they thinking?” “Do they know they are playing the wrong notes?” If you have been in that seat looking at the soloist you know there is a moment where you feel some nervousness and anxiety. “Those notes are not right!” we think. Then the soloist masterfully weaves the crazy line he was just playing into sweet consonance and harmony. Our nervousness and anxiety melts away and we feel at peace with the world. Yet our heart is still pounding with excitement as if we just got off the world’s biggest roller coaster.

Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

The great players of jazz have learned the fine art of weaving in and out of a tonality whenever they please. It has the same affect on us listeners as riding a roller coaster or watching a tightrope walker performing sixty stories above the street. Those who have ears that perceive what is going on recognize the intricate balance of dissonance and consonance being played with by the soloist. Once we recognize it we are enthralled and unable to look away.

Mastering Altered Pentatonics

Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

 

In “Mastering Altered Pentatonics”, we are taking the most benign of scales, the pentatonic scale, through the ringer. We are working on mastering it using twenty-nine scale patterns that we then alter to create new and fresh sounds that are far from benign. At times, they sound almost dangerous in their tension and dissonance. By practicing these altered pentatonic patterns and weaving in and out of them we are practicing the fine art of balancing our lines between consonance and dissonance while we improvise. The more adept we become at this balancing act the more exciting and entertaining our lines and solos will become. Inside, we will take the pentatonic scale through eleven alterations. Each one having it’s own sound and flavor. Join me in discovering a new way to approach thinking and playing while improvising that will lead you to discover new and fresh sounding lines. I hope you enjoy the book as much as I have enjoyed working on it.

By practicing these altered pentatonic patterns and weaving in and out of them we are practicing the fine art of balancing our lines between consonance and dissonance. The more adept we become at this balancing act the more exciting and entertaining our lines and solos will become.

Inside, we will take the pentatonic scale through eleven alterations. Each one having it’s own sound and flavor. The book is 368 pages long and in all 12 keys.  It comes with a 49 minute overview video lesson of the book where I talk about and demonstrate the concepts from the book on the tenor saxophone.

Join me in discovering a new way to approach thinking and playing your lines that will lead you to discover new and fresh sounding lines. I hope you enjoy the book as much as I have enjoyed working on it.    Steve

Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

Sample Pages from Introduction of Book




Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

Filed Under: Neff Book Reviews, NeffMusic News Tagged With: book, Jazz Improvisation, Mastering Altered Pentatonics, modern jazz, steve neff

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. Avatarfrank elmo says

    November 27, 2017 at 11:23 am

    Hi Steve, I just purchased Mastering Altered Pentatonics the print version. For years Chris Hunter has been telling me about this but it always seemed too complex to figure out. Hopefully this will help .Will I get access to the video presentation? Thanx , Frank Elmo
    PS ,I bought a Retro Revival Florida double Ring based on your review. I love It! Thanx ,keep up the good work!

    Reply
    • SteveSteve says

      December 13, 2017 at 12:56 pm

      That’s great to hear Frank. I’m glad you are digging the RR Florida piece! Not sure if you already have the video on Mastering Altered Pentatonics but if you email me the Lulu receipt I can send you a link to download the video lesson. Steve

      Reply
  2. AvatarGlen says

    September 19, 2018 at 6:09 am

    Hi Steve
    I find your playing brilliantly smooth which I like a smooth sax. Do you play an alto ? I notice in your video only Bb sax only. Do you do a beginner book ? I am a beginner but I intend to try things for more advance player. so I want to buy (playing outside new altered pentatonic lesson) but also interested in the other book also, (paper back only) so any tip it be most welcome. I blow a 54ref new style alto and curve & straight soprano. I am in hunt for a metal mouthpiece old stile playing but small in size like the Beechler metal but none so far, any thing you recc ? find rubber just big in the mouth

    Glen

    Reply
    • SteveSteve says

      September 19, 2018 at 12:20 pm

      Glen, I do play alto sax on a lot of lesson. If you look at the lesson list there are beginner lessons near the bottom http://www.neffmusic.com/blog/lesson-index/ . In each lesson description I write what saxophone I am using for the lesson. The altered pentatonic lessons and book are pretty advanced. For a beginner I would suggest working on improvising using the blues scale and major and minor scales to start. Also using my II-V-I primer to learn your chords and melodic patterns. I also have lessons on Patterns for Jazz which is a great book to start fairly new players on. If you mean you are brand new to the saxophone I would check out the embouchure lesson as well as the articulation lessons. If you build bad habits with those it makes it 10x times as hard to fix it later in your development.

      I have reviewed quite a few metal alto mouthpieces on my site here. You can check those out and see what you think. Steve

      Reply

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I have NEVER seen material like yours.  Amazing!!
Jerry

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