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You are here: Home / Neff Book Reviews / NEW Book-Mastering Altered Pentatonics

NEW Book-Mastering Altered Pentatonics

September 9, 2017 by Steve 4 Comments

I just released a new book I have been working on for a number of years now.  It covers the basic pentatonic scale in all 12 keys with 29 great pentatonic patterns to practice.  It also includes 11 altered pentatonics in these patterns that you can use for a more modern “outside” sound to your lines that I love.  Here’s the full description of the book below:

Any serious fan of jazz has at one time or another heard a solo where the line being played made them turn towards the soloist with a look of concern. “Where were they going with this line?” “What are they thinking?” “Do they know they are playing the wrong notes?” If you have been in that seat looking at the soloist you know there is a moment where you feel some nervousness and anxiety. “Those notes are not right!” we think. Then the soloist masterfully weaves the crazy line he was just playing into sweet consonance and harmony. Our nervousness and anxiety melts away and we feel at peace with the world. Yet our heart is still pounding with excitement as if we just got off the world’s biggest roller coaster.

Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

The great players of jazz have learned the fine art of weaving in and out of a tonality whenever they please. It has the same affect on us listeners as riding a roller coaster or watching a tightrope walker performing sixty stories above the street. Those who have ears that perceive what is going on recognize the intricate balance of dissonance and consonance being played with by the soloist. Once we recognize it we are enthralled and unable to look away.

Mastering Altered Pentatonics

Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

 

In “Mastering Altered Pentatonics”, we are taking the most benign of scales, the pentatonic scale, through the ringer. We are working on mastering it using twenty-nine scale patterns that we then alter to create new and fresh sounds that are far from benign. At times, they sound almost dangerous in their tension and dissonance. By practicing these altered pentatonic patterns and weaving in and out of them we are practicing the fine art of balancing our lines between consonance and dissonance while we improvise. The more adept we become at this balancing act the more exciting and entertaining our lines and solos will become. Inside, we will take the pentatonic scale through eleven alterations. Each one having it’s own sound and flavor. Join me in discovering a new way to approach thinking and playing while improvising that will lead you to discover new and fresh sounding lines. I hope you enjoy the book as much as I have enjoyed working on it.

By practicing these altered pentatonic patterns and weaving in and out of them we are practicing the fine art of balancing our lines between consonance and dissonance. The more adept we become at this balancing act the more exciting and entertaining our lines and solos will become.

Inside, we will take the pentatonic scale through eleven alterations. Each one having it’s own sound and flavor. The book is 368 pages long and in all 12 keys.  It comes with a 49 minute overview video lesson of the book where I talk about and demonstrate the concepts from the book on the tenor saxophone.

Join me in discovering a new way to approach thinking and playing your lines that will lead you to discover new and fresh sounding lines. I hope you enjoy the book as much as I have enjoyed working on it.    Steve

Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

Sample Pages from Introduction of Book




Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

Filed Under: Neff Book Reviews, NeffMusic News Tagged With: book, Jazz Improvisation, Mastering Altered Pentatonics, modern jazz, steve neff

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. Avatarfrank elmo says

    November 27, 2017 at 11:23 am

    Hi Steve, I just purchased Mastering Altered Pentatonics the print version. For years Chris Hunter has been telling me about this but it always seemed too complex to figure out. Hopefully this will help .Will I get access to the video presentation? Thanx , Frank Elmo
    PS ,I bought a Retro Revival Florida double Ring based on your review. I love It! Thanx ,keep up the good work!

    Reply
    • SteveSteve says

      December 13, 2017 at 12:56 pm

      That’s great to hear Frank. I’m glad you are digging the RR Florida piece! Not sure if you already have the video on Mastering Altered Pentatonics but if you email me the Lulu receipt I can send you a link to download the video lesson. Steve

      Reply
  2. AvatarGlen says

    September 19, 2018 at 6:09 am

    Hi Steve
    I find your playing brilliantly smooth which I like a smooth sax. Do you play an alto ? I notice in your video only Bb sax only. Do you do a beginner book ? I am a beginner but I intend to try things for more advance player. so I want to buy (playing outside new altered pentatonic lesson) but also interested in the other book also, (paper back only) so any tip it be most welcome. I blow a 54ref new style alto and curve & straight soprano. I am in hunt for a metal mouthpiece old stile playing but small in size like the Beechler metal but none so far, any thing you recc ? find rubber just big in the mouth

    Glen

    Reply
    • SteveSteve says

      September 19, 2018 at 12:20 pm

      Glen, I do play alto sax on a lot of lesson. If you look at the lesson list there are beginner lessons near the bottom http://www.neffmusic.com/blog/lesson-index/ . In each lesson description I write what saxophone I am using for the lesson. The altered pentatonic lessons and book are pretty advanced. For a beginner I would suggest working on improvising using the blues scale and major and minor scales to start. Also using my II-V-I primer to learn your chords and melodic patterns. I also have lessons on Patterns for Jazz which is a great book to start fairly new players on. If you mean you are brand new to the saxophone I would check out the embouchure lesson as well as the articulation lessons. If you build bad habits with those it makes it 10x times as hard to fix it later in your development.

      I have reviewed quite a few metal alto mouthpieces on my site here. You can check those out and see what you think. Steve

      Reply

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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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Lenore

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
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Paul
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
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