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You are here: Home / Neff Book Reviews / NEW Book-Mastering Altered Pentatonics

NEW Book-Mastering Altered Pentatonics

September 9, 2017 by Steve 4 Comments

I just released a new book I have been working on for a number of years now.  It covers the basic pentatonic scale in all 12 keys with 29 great pentatonic patterns to practice.  It also includes 11 altered pentatonics in these patterns that you can use for a more modern “outside” sound to your lines that I love.  Here’s the full description of the book below:

Any serious fan of jazz has at one time or another heard a solo where the line being played made them turn towards the soloist with a look of concern. “Where were they going with this line?” “What are they thinking?” “Do they know they are playing the wrong notes?” If you have been in that seat looking at the soloist you know there is a moment where you feel some nervousness and anxiety. “Those notes are not right!” we think. Then the soloist masterfully weaves the crazy line he was just playing into sweet consonance and harmony. Our nervousness and anxiety melts away and we feel at peace with the world. Yet our heart is still pounding with excitement as if we just got off the world’s biggest roller coaster.

Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

The great players of jazz have learned the fine art of weaving in and out of a tonality whenever they please. It has the same affect on us listeners as riding a roller coaster or watching a tightrope walker performing sixty stories above the street. Those who have ears that perceive what is going on recognize the intricate balance of dissonance and consonance being played with by the soloist. Once we recognize it we are enthralled and unable to look away.

Mastering Altered Pentatonics

Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

 

In “Mastering Altered Pentatonics”, we are taking the most benign of scales, the pentatonic scale, through the ringer. We are working on mastering it using twenty-nine scale patterns that we then alter to create new and fresh sounds that are far from benign. At times, they sound almost dangerous in their tension and dissonance. By practicing these altered pentatonic patterns and weaving in and out of them we are practicing the fine art of balancing our lines between consonance and dissonance while we improvise. The more adept we become at this balancing act the more exciting and entertaining our lines and solos will become. Inside, we will take the pentatonic scale through eleven alterations. Each one having it’s own sound and flavor. Join me in discovering a new way to approach thinking and playing while improvising that will lead you to discover new and fresh sounding lines. I hope you enjoy the book as much as I have enjoyed working on it.

By practicing these altered pentatonic patterns and weaving in and out of them we are practicing the fine art of balancing our lines between consonance and dissonance. The more adept we become at this balancing act the more exciting and entertaining our lines and solos will become.

Inside, we will take the pentatonic scale through eleven alterations. Each one having it’s own sound and flavor. The book is 368 pages long and in all 12 keys.  It comes with a 49 minute overview video lesson of the book where I talk about and demonstrate the concepts from the book on the tenor saxophone.

Join me in discovering a new way to approach thinking and playing your lines that will lead you to discover new and fresh sounding lines. I hope you enjoy the book as much as I have enjoyed working on it.    Steve

Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

Sample Pages from Introduction of Book




Digital PDF Version of “Mastering Altered Pentatonics”14.99

Printed Version of “Mastering Altered Pentatonics”29.99

Filed Under: Neff Book Reviews, NeffMusic News Tagged With: book, Jazz Improvisation, Mastering Altered Pentatonics, modern jazz, steve neff

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. Avatarfrank elmo says

    November 27, 2017 at 11:23 am

    Hi Steve, I just purchased Mastering Altered Pentatonics the print version. For years Chris Hunter has been telling me about this but it always seemed too complex to figure out. Hopefully this will help .Will I get access to the video presentation? Thanx , Frank Elmo
    PS ,I bought a Retro Revival Florida double Ring based on your review. I love It! Thanx ,keep up the good work!

    Reply
    • SteveSteve says

      December 13, 2017 at 12:56 pm

      That’s great to hear Frank. I’m glad you are digging the RR Florida piece! Not sure if you already have the video on Mastering Altered Pentatonics but if you email me the Lulu receipt I can send you a link to download the video lesson. Steve

      Reply
  2. AvatarGlen says

    September 19, 2018 at 6:09 am

    Hi Steve
    I find your playing brilliantly smooth which I like a smooth sax. Do you play an alto ? I notice in your video only Bb sax only. Do you do a beginner book ? I am a beginner but I intend to try things for more advance player. so I want to buy (playing outside new altered pentatonic lesson) but also interested in the other book also, (paper back only) so any tip it be most welcome. I blow a 54ref new style alto and curve & straight soprano. I am in hunt for a metal mouthpiece old stile playing but small in size like the Beechler metal but none so far, any thing you recc ? find rubber just big in the mouth

    Glen

    Reply
    • SteveSteve says

      September 19, 2018 at 12:20 pm

      Glen, I do play alto sax on a lot of lesson. If you look at the lesson list there are beginner lessons near the bottom http://www.neffmusic.com/blog/lesson-index/ . In each lesson description I write what saxophone I am using for the lesson. The altered pentatonic lessons and book are pretty advanced. For a beginner I would suggest working on improvising using the blues scale and major and minor scales to start. Also using my II-V-I primer to learn your chords and melodic patterns. I also have lessons on Patterns for Jazz which is a great book to start fairly new players on. If you mean you are brand new to the saxophone I would check out the embouchure lesson as well as the articulation lessons. If you build bad habits with those it makes it 10x times as hard to fix it later in your development.

      I have reviewed quite a few metal alto mouthpieces on my site here. You can check those out and see what you think. Steve

      Reply

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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John Leclerc

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I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

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P

P
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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Pierre
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
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First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
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Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

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