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You are here: Home / NeffMusic News / New Release-Mastering the Dominant Bebop Scale-Book 2

New Release-Mastering the Dominant Bebop Scale-Book 2

November 19, 2016 by Steve 3 Comments

I just finished a brand new Neffmusic book that I am very excited about.  I’ve been working on this off and on over the last seven years and more intensely over the last eight months.

In the years following my release of “Mastering the Dominant Bebop Scale”, I decided that a “Mastering the Dominant Bebop Scale-Book 2” also needed to be written.  As I continued to study the solos of the bebop greats like Charlie Parker, Sonny Stitt, Gene Ammons, Hank Mobley, Art Pepper, Phil Woods, Cannonball Adderley and many others, I noticed that there were a lot of elements and ideas being used outside of the bebop scale material in my first book.

DevastatingFrontCoverMedium
Click to Purchase PDF Version -Only 14.99

Click to Purchase Printed Version -Only 29.99

My goal in writing this second book is to introduce you to some of these more advanced lines and ideas in a similar approach as my first book.  These more advanced  bebop “links” as I call them, create more complex lines that weave in and out of the tonality they are being used over and make the lines much more interesting.

The added benefit of learning these additional “links” is similar to learning words when studying a language. The more words you know and understand, the better you can communicate and the more ideas and thoughts you can convey to others.  The same holds true for each of these musical “links”, the more you learn and master, the more interesting and varied your lines will be while improvising.

The book is divided up into twelve chapters, one for each key. The first half of every chapter includes 33 new bebop links that can be added one at a time to your jazz vocabulary.  These are links that I have discovered since writing book one that I think add new and interesting sounds and textures to your jazz lines.

The second half of every chapter includes what I call “Substitution Links” as well as “Non-Chord Tone Links”. These are ideas and musical words that I picked out from the great jazz soloists listed above.   They don’t fit easily into the existing bebop scale rules from book one but with a little effort and creativity, I have created some new rules for each “link” to help you add it to your existing lines.

DevastatingFrontCoverMedium

Click to Purchase PDF Version-Only 14.99

Click to Purchase Printed Version -Only 29.99

Each “link” comes with multiple two bar and four bar lines that mix the varied “links” from book one with the new content from book two.  Think of each new “link” as a new word that you are adding to your vocabulary. When you speak, you are usually not thinking of every word you are saying but rather pulling words from your existing vocabulary stored in your brain.  The goal of this series of books is to help you get to the point where you can effortlessly use any of the musical vocabulary contained within  in a multitude of ways to express yourself musically.

Although many of these lines were taken from the solos of great jazz players, these lines sound equally “great” over more modern and funky grooves.  If you are soloing over a groove in a dominant or minor key these lines will surprise and even stun your listeners because of there awesomeness!

*Mastering the Dominant Bebop Scale-Book 2 is 288 pages long and comes with a 39 minute video lesson on the book.  I talk about different insights I have had regarding the material in the book as well as some different approaches to practicing the material.

I hope you enjoy this book and that it does indeed take you one step closer to creating great lines like the bebop masters that came before us.       -Steve Neff

Here are a few sample pages from the book for you to check out……….

Mastering the Dominant Bebop Scale-Book 2 Sample Pages

https://cdn.neffmusic.com/2016/Bebop2Sample2.mp3

Mastering the Dominant Bebop Scale-Book 2 Audio Sample Clip

Filed Under: NeffMusic News Tagged With: bebop lines, bebop scale, dominant chords, Jazz Improvisation, mastering, steve neff

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. Avatarmorgan says

    December 9, 2016 at 6:21 pm

    say I just received the book I ordered, great production value and teaching tool..
    where is the 39min video located not in book or container

    Reply
    • SteveSteve says

      December 10, 2016 at 10:48 am

      Morgan, I sent you an email. After you ordered the book you should have received a thank you email that said to email me the receipt and I would give you directions on how to get any other materials that go with the book. I think sometimes those emails get lost in people’s spam folders unfortunately. Steve

      Reply
  2. AvatarHein Reedijk says

    December 10, 2016 at 5:37 am

    Steve, you did it again! This is a great book, I’ve now been studying it for the last two weeks, and already making great progress in my playing. New doors have opened for me. Thank you very much!

    Reply

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Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
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I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
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Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

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