• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Low Baffle Reviews / Absolute Resin Alto Saxophone Mouthpiece

Absolute Resin Alto Saxophone Mouthpiece

September 10, 2013 by Steve 9 Comments

Today,  I am reviewing a mouthpiece made by the Absolute company. These are made in Italy.  This model is called the “AltoR”model.  There is also an Alto AL,  Alto ST and an Alto + model on their website.  You can also find all these models for Baritone, Tenor and Soprano saxophones as well. The AL model stands for black anodized aluminum. The ST for stainless steel and I assume the R at the end of Alto stands for Resin.

Absolute Resin Alto Saxophone Mouthpiece

All of these models are priced pretty reasonably. This model is only about 133 US dollars. (the exchange rate is always changing so this price will fluctuate somewhat)

The mouthpiece looks good. The side rails are a little uneven as well as the tip rail BUT……..I didn’t notice this effecting playability at all.  The mouthpiece got a good seal on the “Pop” test and was very reed friendly.  It has a straight baffle that angles down into a small chamber.   It looks to be slightly smaller than a Selmer Soloist to my eye.  If you look in from the shank end of the mouthpiece the chamber has more of a “oval” shape rather than your typical “round” shape chamber.  The transition from the baffle into the chamber has a Berg Larsen type scoop to it.  The sidewalls are straight and angled slightly inwards as they move towards the smaller chamber.  The effect of a smaller chamber like this can make the sound more powerful and brighter than a bigger chamber as the air flow is “squeezed” through the chamber.  My experience with Soloists and other mouthpieces with these smaller chambers is that they can play nice and dark with less airflow but when you push more air through the mouthpiece they can get much brighter and louder. They usual don’t have a big spread sound but more of a focused sound with a tight core to it.

Absolute Resin Alto Saxophone Mouthpiece

The tip opening on this mouthpiece is a 6*.  A Rigotti Gold 3 reed played perfectly on it and  a Vandoren Optimum alto ligature fit nicely.

The length of the mouthpiece is longer than a Meyer or Otto Link alto mouthpiece which I like because the smaller chamber would typically make the mouthpiece sit further out on the cork to play in tune. With the added length of the mouthpiece you can push it in really far on the cork which is nice.

Absolute Resin Alto Saxophone Mouthpiece

The tone of the Absolute “AltoR” was focused and sweet to me. I was actually very surprised by this mouthpiece.  The squeezed throat and chamber seemed to limit the amount of air I could put through it. I could only get so loud with it but the thing that surprised me was how nice this mouthpiece sounded in the recording.  When played at a lower volume I really got a nice Desmondish tone out of this mouthpiece.  At 2:17 in the recording I play a Parker lick at about 80% volume.  At 2:21 I repeat the same lick with about 40% air  and the tone is transformed into something very Desmondish to my ear.  Immediately afterwards,  I travel into “Take 5”.  It might have been subliminal but I don’t believe in coincidences…………..This mouthpiece has a killer tone for those of you into the laid back Desmond sound.  It’s a very light and dry sound that I loved! I wouldn’t suggest this mouthpiece for those looking for volume or that killer lead alto mouthpiece but if you are a fan of that West Coast cool jazz sound on alto I think this mouthpiece would sound great in that context……………

Absolute “Tenorer” Tenor Saxophone Mouthpiece

If you are interested in the Absolute “AltoR” alto saxophone mouthpiece contact Marco at Absolutesax.com. At 133 this is a steal of a price for a great playing alto mouthpiece.  I would have no problems recommending this mouthpiece for players who need a mouthpiece that they can use for a Desmondish type sound.

Let me know what you think in the comments below………….Thanks, Steve

Absolute Resin Alto Saxophone Mouthpiece

https://public.neffmusic.com/ABResinAltoFinal.mp3

Absolute Resin Alto Saxophone Mouthpiece

 

Filed Under: Alto Low Baffle Reviews, Alto Mouthpiece Reviews Tagged With: Absolute.alto saxophone.sax mouthpiece, resin

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarJerry says

    September 12, 2013 at 3:09 pm

    Hi Steve, what is the last tune you played? Sounds great!!!

    Reply
    • stevesteve says

      September 12, 2013 at 4:10 pm

      Thanks Jerry. That was Take 5 by Dave Brubeck. (Alan pointed out that Take 5 was actually written by Paul Desmond. The first time I heard it when I was a kid was on a Dave Brubeck album. I meant that it was recorded by Dave Brubeck……….)

      Reply
  2. AvatarAlan Turner says

    October 8, 2013 at 9:08 am

    Hi Steve, was not Take 5 a Paul Desmond composition?

    Reply
    • stevesteve says

      October 8, 2013 at 9:36 am

      Hi Alan, Yes, Take 5 was written by Paul Desmond.

      Reply
  3. AvatarSheryl says

    October 12, 2014 at 10:09 am

    This mouthpiece sounds great and seems like a great price! I just emailed the company, I hope they respond.

    Reply
  4. AvatarDave says

    March 8, 2015 at 7:32 pm

    I just recently discovered the existence of these Absolute mouthpieces and have been traipsing around the internet tubes finding out more about them. When I discovered that you reviewed some of them I bolted over here like lightning. Steve Neff reviews are always A+. I especially appreciate the unprocessed and consistent sound quality and levels of your audio clips, which makes it a lot easier to compare one piece to another

    I like the sound of this Absolute resin model better than the ST’s you reviewed later. Less “edgy” to my ear. Unfortunately , on one of the saxofono.it forums I was reading (via google translate), the Absolute guy said he was making only the stainless (and maybe the aluminum) models as the resin models were too time consuming. I may have read this wrong or misunderstood the google translator version, since I don’t speak or read Italian. But it’s great that they are making high quality affordable pieces in Italy! I would consider am Absolute-R resin piece of they are still available.

    Reply
  5. AvatarMarco says

    March 10, 2015 at 2:12 pm

    Hello Steve, thanks so much for your reviews.
    I rise to confirm that the mouthpieces of resin are all available in the openings on my site, always updated. Very shortly we will also present the C melody and clarinet mouthpieces.
    We are going to patent a new type of synthetic reeds, very efficient.

    Thanks for everything,

    Marco

    Reply
  6. AvatarDarrell Hamilton says

    December 3, 2016 at 1:22 am

    I love your audio samples but they don’t have any key click or pad slap.. how do you accomplish this?

    Reply
    • SteveSteve says

      December 10, 2016 at 10:50 am

      Darrell,
      I have no idea. I don’t do anything special. It’s just an average mic that plugs into my mac and i record about 3 feet in front of the mic. That’s it………..Steve

      Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I have NEVER seen material like yours.  Amazing!!
Jerry
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy

Footer

Recent Comments

  • Mitch Paliga on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Steve on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Steve on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Marcos Estebez on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Mitch Paliga on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025