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You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews / Refaced Modern Otto Link STM Tenor Mouthpiece

Refaced Modern Otto Link STM Tenor Mouthpiece

August 14, 2009 by Steve 4 Comments

I picked this  modern Otto Link STM up on Ebay……..it’s a .108 tip that was refaced by Brian Powell.  I have loved everything I’ve played that Brian Powell has worked on and I was curious to see what he could do to a modern otto link.  To be honest, I’ve played about 20 modern Otto Link STM’s in the last 10 years at different music stores and from WW&BW.  I never found one I liked.  I remember trying some in a music store years ago and all 4 of them were horrible to me. (maybe I was just having a bad day).  I wanted to see if this one would play. To tell you the truth, I love it.

It plays great.  It has that nice link vibe to it.  I played one clip with a 3 reed and one clip with a 2 1/2.  The different reeds give it a very different sound but both played great.  Sometimes I hear people say to “Just go and buy a Florida Link…..the modern otto links are awful”.   After getting this one I think all you need to do is get a modern link and send it to get refaced.  You can decide if you like the sound of this one or not. Let me know what you think.
Listen………

Size 2 1/2 Java Reed Clip

https://www.neffmusic.com/images/mp3/Powell%20Modern%20STM%202.mp3

Size 3 Java Reed Clip

https://www.neffmusic.com/images/mp3/Powell%20Modern%20STM%203.mp3

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Brian Powell Refaced, Otto Link STM

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarLarry Weintraub says

    October 17, 2009 at 7:58 pm

    Hi:

    I like the 2.5 reed better. It sounds fuller and more flexible, however I’m not sure about the altisimo. Did the reed close off or did you mess up, not open your throat enough etc? Be honest.

    Larry W

    Reply
    • stevesteve says

      October 18, 2009 at 10:58 pm

      I can’t remember back that far sorry. Steve

      Reply
  2. AvatarLarry Te says

    November 2, 2009 at 10:37 pm

    Hey Steve, just wondering, but do you personally prefer the feel of metal or rubber?

    Reply
  3. AvatarGil says

    January 25, 2014 at 5:02 am

    Modern Links are plagued with excessive and uneven width on the side and tip rails, and the window lacks an undercut. That tends to make them stuffy and unresponsive. Fortunately, those problems can be remedied by a reasonably careful person with a jeweler”s file, without altering the facing curve.

    Reply

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I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
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I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
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Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
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Mike
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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

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