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You are here: Home / Jazz Lessons / Blues Scales / Using the Blues Scale Part 3
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Using the Blues Scale Part 3

Using the Blues Scale Part 3

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 158 Category: Blues Scales Tags: blues scale, minor chords, note resolutions, steve neff
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  • Reviews (2)
  • Lesson Sample

Description

Using the Blues Scale-Part 3.  I always tell my students that all they need to know to get a gig is their blues scales.  They always think I’m joking and that there is no way it can be that easy but the truth is that 90-95% of today’s songs are in one key.  The band vamps and plays the same groove and key for the whole song.  The person that can stand up and play an authoritative solo using the blues scale is the one who will get the gig.   Unfortunately, most of the young players today don’t really know their blues scales like they should.  Sure, they all say that they do but then when I have them play a solo using one it is usually dead, lifeless and uncreative.  The problem is that most young people today are given advice to use a blues scale on this solo or that solo but then no one ever shows them how to use it.  They are just given the scale and told to improvise.

In this lesson I take on the job of showing you exactly how to use each note of the blues scale over major,minor and dominant grooves.   I teach about each individual note of the scale and how it relates to the chord behind it.  I also talk in depth about what I feel are the tendencies of each note and tactics that I use when playing the blues scale over static backgrounds and chords.  Part 3 is mainly focused on using the C blues scale over a C minor chord as well as adding the notes A and D to the scale to create more of a Dorian sound. I demonstrate all of these sounds on the tenor sax with a background track playing behind me so you can hear how these ideas sound to the music.  Listen to these 3 lesson on the blues scale, practice like crazy and I’ll see you out there on a gig one of these days!  Enjoy! (27 minute video lesson)

2 reviews for Using the Blues Scale Part 3

  1. Avatar
    Rated 5 out of 5

    Jazzsurfer (verified owner) – October 2, 2009

    These are a great addition to the already excellent audio versions of ‘Using the Blues Scales 1 & 2″. I would recommend getting both the audio versions and the videos. My reasoning is that the audio versions give you a great introduction about the scales, how to use, and what other notes you can throw in – but with specific reference to the D Blues scale. The videos do the same thing with specific reference to the A & C Blues scales therefore giving the student a whole bunch of licks, ideas, etc in at least 3 Blues scales.

    On the audio versions I use software that slows the licks down and enables me to really get the stuff that Steve plays under my fingers. It’s then much easier to change the key (again using the software) and learn them in the new key.

    The whole suite of Blues stuff is (in my opinion) much better value than the other stuff that I have bought (books etc) so much so that I am going to ditch the books and just concentrate on the stuff Steve produces. For me it shed light on the whole thing – filled in the gaps and has given me solid ammo that I can use on gigs.

    Great stuff Steve – and thank you.

  2. Avatar
    Rated 5 out of 5

    Peter (verified owner) – April 14, 2012

    The best lessons,explanation on blue scales using blue scales ever.thanks

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Lesson Sample

https://public.neffmusic.com/Using%20the%20Blues%20Scale%20Part%203%20(Video)%20clip.mp4

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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
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Robert
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

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