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You are here: Home / Jazz Lessons / Blues Scales / Using the Blues Scale Part 3
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Using the Blues Scale Part 3

Using the Blues Scale Part 3

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 158 Category: Blues Scales Tags: blues scale, minor chords, note resolutions, steve neff
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  • Reviews (2)
  • Lesson Sample

Description

Using the Blues Scale-Part 3.  I always tell my students that all they need to know to get a gig is their blues scales.  They always think I’m joking and that there is no way it can be that easy but the truth is that 90-95% of today’s songs are in one key.  The band vamps and plays the same groove and key for the whole song.  The person that can stand up and play an authoritative solo using the blues scale is the one who will get the gig.   Unfortunately, most of the young players today don’t really know their blues scales like they should.  Sure, they all say that they do but then when I have them play a solo using one it is usually dead, lifeless and uncreative.  The problem is that most young people today are given advice to use a blues scale on this solo or that solo but then no one ever shows them how to use it.  They are just given the scale and told to improvise.

In this lesson I take on the job of showing you exactly how to use each note of the blues scale over major,minor and dominant grooves.   I teach about each individual note of the scale and how it relates to the chord behind it.  I also talk in depth about what I feel are the tendencies of each note and tactics that I use when playing the blues scale over static backgrounds and chords.  Part 3 is mainly focused on using the C blues scale over a C minor chord as well as adding the notes A and D to the scale to create more of a Dorian sound. I demonstrate all of these sounds on the tenor sax with a background track playing behind me so you can hear how these ideas sound to the music.  Listen to these 3 lesson on the blues scale, practice like crazy and I’ll see you out there on a gig one of these days!  Enjoy! (27 minute video lesson)

2 reviews for Using the Blues Scale Part 3

  1. Avatar
    Rated 5 out of 5

    Jazzsurfer (verified owner) – October 2, 2009

    These are a great addition to the already excellent audio versions of ‘Using the Blues Scales 1 & 2″. I would recommend getting both the audio versions and the videos. My reasoning is that the audio versions give you a great introduction about the scales, how to use, and what other notes you can throw in – but with specific reference to the D Blues scale. The videos do the same thing with specific reference to the A & C Blues scales therefore giving the student a whole bunch of licks, ideas, etc in at least 3 Blues scales.

    On the audio versions I use software that slows the licks down and enables me to really get the stuff that Steve plays under my fingers. It’s then much easier to change the key (again using the software) and learn them in the new key.

    The whole suite of Blues stuff is (in my opinion) much better value than the other stuff that I have bought (books etc) so much so that I am going to ditch the books and just concentrate on the stuff Steve produces. For me it shed light on the whole thing – filled in the gaps and has given me solid ammo that I can use on gigs.

    Great stuff Steve – and thank you.

  2. Avatar
    Rated 5 out of 5

    Peter (verified owner) – April 14, 2012

    The best lessons,explanation on blue scales using blue scales ever.thanks

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Lesson Sample

https://public.neffmusic.com/Using%20the%20Blues%20Scale%20Part%203%20(Video)%20clip.mp4

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I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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Robert

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