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You are here: Home / Jazz Lessons / Jazz Standards / Tune of the Week-Freight Trane
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Tune of the Week-Freight Trane

Tune of the Week-Freight Trane

$9.99

SKU: 401 Category: Jazz Standards Tags: Freight Trane, jazz standards, learning tunes, tenor saxophone, Tommy Flanagan, video lesson
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Description

As part of my New Years resolutions this year, I have set a goal of trying to memorize one new standard every week. I figured that as long as I was doing this I might as well share the journey with you in a series of video lessons.

My goal with these lessons is to show you how I go about memorizing a standard and really internalizing it so that I will not forget it.  I will take you right along with me and hopefully by the end of the year we will have 52 new tunes in our repertoire!

The first tune in this series will be Freight Trane.   A great tune by Tommy Flanagan. There is a recording of John Coltrane and Kenny Burrell playing this tune as well as the Brecker Brothers on the album Merge by Jack Wilkins.

I teach you how to go about memorizing the melody and getting it in your ear.  I then talk in depth about memorizing the chord changes.

As an addition to this lesson, I have also done a more advanced lesson called “Freight Trane-Melodic Workout” where we dig deeper into the changes to gain mastery of the chord sequence.

All the concepts are demonstrated with the tenor saxophone.
(35 Minute Video Lesson)

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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

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I've learned more from you than anyone else in my 40 years of playing.
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
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Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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