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You are here: Home / Jazz Lessons / Triad Pairs / Triad Pairs-Dominant 3×3 Lesson
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Triad Pairs-Dominant 3x3 Lesson

Triad Pairs-Dominant 3×3 Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 360 Category: Triad Pairs Tags: dominant chords, jazz improvisation, triad pairs, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson I introduce you to triad pair patterns that use 3 notes per triad.  Triad pair lines are based off of the concept of mixing two triads together to form your lines and ideas.   In past lessons we tackled 2×2 patterns and 4×4 triad patterns.  The more of these patterns you master the more natural and flowing your use of triad pairs will sound.

Once you master these lines and concepts you will be amazed at the way they can change your solos.  This lesson comes with a 2 page PDF with the lines written out for the C7 chord.(There is also a concert key PDF in Bb7)  I demonstrate the lines on the tenor sax as well as show you how to practice them over a play along. At the end of the video, I show you how you can practice these on a 12 bar blues also.  (31 minute Video & PDF)

1 review for Triad Pairs-Dominant 3×3 Lesson

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    Rated 5 out of 5

    Jon W (verified owner) – December 2, 2013

    Man, I just had to write to say a big thank you for this wonderful resource you have built. I’ve been playing sax for about 10 years here in sunny England. I’ve always struggled to find information that I can use to build my arsenal of licks, but moreso to give freedom and let loose. Your books and lessons have been a revelation. I just downloaded your triad 3×3 video lesson, and within minutes of watching it I was adding the ideas to some of the things I learnt from your dominant bebop book, and was just taking it to another level. An absolute joy. I’m sure I’ll get around to purchasing more, but in the mean time, thank you so much for your hard work in preparing these, and explaining/demonstrating so clearly.
    Love to everyone that side of the pond.
    Jon.W. (England)

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Testimonials

Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

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