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You are here: Home / Jazz Lessons / Triad Pairs / Triad Pairs-Dominant 3×3 Lesson
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Triad Pairs-Dominant 3x3 Lesson

Triad Pairs-Dominant 3×3 Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 360 Category: Triad Pairs Tags: dominant chords, jazz improvisation, triad pairs, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson I introduce you to triad pair patterns that use 3 notes per triad.  Triad pair lines are based off of the concept of mixing two triads together to form your lines and ideas.   In past lessons we tackled 2×2 patterns and 4×4 triad patterns.  The more of these patterns you master the more natural and flowing your use of triad pairs will sound.

Once you master these lines and concepts you will be amazed at the way they can change your solos.  This lesson comes with a 2 page PDF with the lines written out for the C7 chord.(There is also a concert key PDF in Bb7)  I demonstrate the lines on the tenor sax as well as show you how to practice them over a play along. At the end of the video, I show you how you can practice these on a 12 bar blues also.  (31 minute Video & PDF)

1 review for Triad Pairs-Dominant 3×3 Lesson

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    Rated 5 out of 5

    Jon W (verified owner) – December 2, 2013

    Man, I just had to write to say a big thank you for this wonderful resource you have built. I’ve been playing sax for about 10 years here in sunny England. I’ve always struggled to find information that I can use to build my arsenal of licks, but moreso to give freedom and let loose. Your books and lessons have been a revelation. I just downloaded your triad 3×3 video lesson, and within minutes of watching it I was adding the ideas to some of the things I learnt from your dominant bebop book, and was just taking it to another level. An absolute joy. I’m sure I’ll get around to purchasing more, but in the mean time, thank you so much for your hard work in preparing these, and explaining/demonstrating so clearly.
    Love to everyone that side of the pond.
    Jon.W. (England)

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I have NEVER seen material like yours.  Amazing!!
Jerry
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

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