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You are here: Home / Jazz Lessons / Triad Pairs / Triad Pairs-Dominant 3×3 Lesson
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Triad Pairs-Dominant 3x3 Lesson

Triad Pairs-Dominant 3×3 Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 360 Category: Triad Pairs Tags: dominant chords, jazz improvisation, triad pairs, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson I introduce you to triad pair patterns that use 3 notes per triad.  Triad pair lines are based off of the concept of mixing two triads together to form your lines and ideas.   In past lessons we tackled 2×2 patterns and 4×4 triad patterns.  The more of these patterns you master the more natural and flowing your use of triad pairs will sound.

Once you master these lines and concepts you will be amazed at the way they can change your solos.  This lesson comes with a 2 page PDF with the lines written out for the C7 chord.(There is also a concert key PDF in Bb7)  I demonstrate the lines on the tenor sax as well as show you how to practice them over a play along. At the end of the video, I show you how you can practice these on a 12 bar blues also.  (31 minute Video & PDF)

1 review for Triad Pairs-Dominant 3×3 Lesson

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    Rated 5 out of 5

    Jon W (verified owner) – December 2, 2013

    Man, I just had to write to say a big thank you for this wonderful resource you have built. I’ve been playing sax for about 10 years here in sunny England. I’ve always struggled to find information that I can use to build my arsenal of licks, but moreso to give freedom and let loose. Your books and lessons have been a revelation. I just downloaded your triad 3×3 video lesson, and within minutes of watching it I was adding the ideas to some of the things I learnt from your dominant bebop book, and was just taking it to another level. An absolute joy. I’m sure I’ll get around to purchasing more, but in the mean time, thank you so much for your hard work in preparing these, and explaining/demonstrating so clearly.
    Love to everyone that side of the pond.
    Jon.W. (England)

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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
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