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Triad Pair Blues Audio Lesson

Triad Pair Blues Audio Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 027 Category: Triad Pairs Tags: blues, dominant chords, jazz improvisation, triad pairs, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a great beginning lesson on using triad pairs to improvise. i talk about what triad pairs are and how to practice and use them over a 12 bar blues. Included in this lesson is a written 3 chorus solo on a C blues utilizing 2 different triad pairs. I talk about how to create lines using this concept that are hip and refreshing. If you haven’t studied this concept before then this is a great lesson to really change your approach to a blues in a great way. I demonstrate all the examples on tenor using a BP NY link .108 with my own custom baffle in it. (24 minute audio lesson)

2 reviews for Triad Pair Blues Audio Lesson

  1. Avatar
    Rated 5 out of 5

    Mansax – July 16, 2009

    Great Fun!!! A fantastic way to add some variety to playing over blues changes. If you’ve been enjoying Steve’s other blues lessons, combining this approach with the blues scale and bebop scale material, really expands your vocabulary on the blues. It’s a very simple concept with endless possibilities. Steve does a great job of presenting the ideas in a way that’s easy to understand and more importantly, easy to apply to your blues playing right now. Five Stars!

  2. Avatar
    Rated 5 out of 5

    Ken – September 7, 2011

    Hi Steve – the Triad Pairs Blues lesson is amazing – just kept me going for hours! I have found the whole thing of working with triads very difficult because the sound is so un-jazz!! Sounds like I’m doing classical music practice. Oh no! But this combination of triad pairs is great as the sounds are so cool – especially mixing in the tritone pair C/F# as well and using the Aebersold Dominant Vol 84 play along in all keys and throwing in pentatonics and blues scales as that’s what I’m working on as well at the moment. The variety of sounds is just great and as I played I realized that that is what players are doing sometimes – mixing and contrasting scales. Another great lesson with so much to work on – thanks! Ken

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Lesson Sample

https://public.neffmusic.com/Triad%20Pair%20Blues%20Lesson%20clip.mp4

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I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

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