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You are here: Home / Jazz Lessons / Stylistic Lessons / The Style of Sonny Stitt-Blues in D Lesson 3
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The Style of Sonny Stitt-Blues in D Lesson 3

The Style of Sonny Stitt-Blues in D Lesson 3

$9.99

Categories: Stylistic Lessons, The Blues Tags: blues, jazz saxophone, Sonny Stitt, Sonny's Tune, tenor sax, video lesson
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Description

This is a new series of lessons based off of a great solo by Sonny Stitt over a blues in D for the tenor saxophone. The tune is called “Sonny’s Tune” and can be found on youtube if you do a search for it. This is a terrific blues solo and is filled with all sorts of classic blues licks as well as killin’ bebop lines that are worth adding to your jazz vocabulary!

In this series of lessons, I show you how to work with a great transcription like this so that you can get the most out of it and utilize the lines and ideas in your own playing. I include the 12 chorus transcription with the lessons as well as a slower play along to practice to as you work on many of the concepts taught in the lesson. I analyze different aspects of the solo and demonstrate how to best practice them with the soprano saxophone. (34 Minute Video Lesson, 12 chorus solo transcription in Bb and C, Blues playalong to practice to)

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Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
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I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
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I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
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