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You are here: Home / Jazz Lessons / Stylistic Lessons / The Style of Dexter Gordon-Lady Bird Lesson 1
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The Style of Dexter Gordon-Lady Bird Lesson 1

The Style of Dexter Gordon-Lady Bird Lesson 1

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Stylistic Lessons Tags: Dexter Gordon, jazz saxophone, Lady Bird, tenor sax, transcription, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

This is a new series of lessons based off the playing and style of the great tenor saxophone player Dexter Gordon. Dexter Gordon had one of the most recognized saxophone sounds of all time. Most sax players can instantly recognize his sound, style and technique within second of hearing him.

In this series of lessons, we will focus on different aspects of Dexter Gordon’s playing including sound, phrasing, licks, embouchure and other varied techniques. I will talk about each of these concepts in depth and how to best implement them in your own playing. In these first 3 lessons, I start to walk you through a transcription I made of a great 9 chorus Dexter solo over the Tadd Dameron standard Lady Bird. This solo is from a Youtube video of a concert Dexter Gordon played in Belgium in 1964 and is a great example of Dexter’s phenomenal playing. I demonstrate all the concepts discussed on the tenor saxophone. (35 Minute Video Lesson, 9 chorus solo transcription in Bb)

1 review for The Style of Dexter Gordon-Lady Bird Lesson 1

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    Rated 5 out of 5

    Bernhard (verified owner) – December 10, 2015

    Great Lesson. I love Dexter Gordon sound and after that lesson I am a step closer.

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I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I have NEVER seen material like yours.  Amazing!!
Jerry
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

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