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You are here: Home / Jazz Lessons / Stylistic Lessons / The Style of Dexter Gordon-Lady Bird Lesson 1
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The Style of Dexter Gordon-Lady Bird Lesson 1

The Style of Dexter Gordon-Lady Bird Lesson 1

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Stylistic Lessons Tags: Dexter Gordon, jazz saxophone, Lady Bird, tenor sax, transcription, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

This is a new series of lessons based off the playing and style of the great tenor saxophone player Dexter Gordon. Dexter Gordon had one of the most recognized saxophone sounds of all time. Most sax players can instantly recognize his sound, style and technique within second of hearing him.

In this series of lessons, we will focus on different aspects of Dexter Gordon’s playing including sound, phrasing, licks, embouchure and other varied techniques. I will talk about each of these concepts in depth and how to best implement them in your own playing. In these first 3 lessons, I start to walk you through a transcription I made of a great 9 chorus Dexter solo over the Tadd Dameron standard Lady Bird. This solo is from a Youtube video of a concert Dexter Gordon played in Belgium in 1964 and is a great example of Dexter’s phenomenal playing. I demonstrate all the concepts discussed on the tenor saxophone. (35 Minute Video Lesson, 9 chorus solo transcription in Bb)

1 review for The Style of Dexter Gordon-Lady Bird Lesson 1

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    Rated 5 out of 5

    Bernhard (verified owner) – December 10, 2015

    Great Lesson. I love Dexter Gordon sound and after that lesson I am a step closer.

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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

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