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You are here: Home / Jazz Lessons / Stylistic Lessons / The Style of Charlie Parker-Cherokee Part 2
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The Style of Charlie Parker-Cherokee Part 2

The Style of Charlie Parker-Cherokee Part 2

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Category: Stylistic Lessons Tags: alto saxophone, Charlie Parker, Cherokee, jazz sax, transcription
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Charlie Parker, Bird.  Every sax player should know that name!  He was one of the greatest saxophone players of all time.  He transformed jazz in his day.  If you took a poll of sax players on who were the greatest sax players to ever live………… Charlie Parker would be at the top of that list.

This lesson is an in depth look at one of my favorite “Bird” solos of all time.
In this second video lesson on Cherokee, I continue to take you through a solo on Cherokee that Curtis at www.saxsolos.com. It is from a recording called “Trio in 41 or 42”.

You can hear the pure genius of Parker in this recording. The angular bebop lines, the connected ideas, the great melodies, the intense swing feel, the tensions and resolutions and that beautiful “Bird” sound.

As I work through the last half of the solo, I give you some tips and pointers on how to best analyze his playing as well as implement his ideas into your own playing. I talk about the importance of listening to Parker and really copying his style, sound and energy.

To get the most from this lesson you will need to get the transcription from saxsolos.com.  It is called Cherokee and is item number 285.  It is from the recording “Trio in 41 or 42” as well as the recording of Bird playing this.  It is on “The Charlie Parker Story (Disc 2) and is called Cherokee. (41 Minute Video Lesson)

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Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

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Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
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Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

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I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

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