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You are here: Home / Jazz Lessons / Stylistic Lessons / The Style of Charlie Parker-Cherokee Part 2
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The Style of Charlie Parker-Cherokee Part 2

The Style of Charlie Parker-Cherokee Part 2

$9.99

Category: Stylistic Lessons Tags: alto saxophone, Charlie Parker, Cherokee, jazz sax, transcription
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Description

Charlie Parker, Bird.  Every sax player should know that name!  He was one of the greatest saxophone players of all time.  He transformed jazz in his day.  If you took a poll of sax players on who were the greatest sax players to ever live………… Charlie Parker would be at the top of that list.

This lesson is an in depth look at one of my favorite “Bird” solos of all time.
In this second video lesson on Cherokee, I continue to take you through a solo on Cherokee that Curtis at www.saxsolos.com. It is from a recording called “Trio in 41 or 42”.

You can hear the pure genius of Parker in this recording. The angular bebop lines, the connected ideas, the great melodies, the intense swing feel, the tensions and resolutions and that beautiful “Bird” sound.

As I work through the last half of the solo, I give you some tips and pointers on how to best analyze his playing as well as implement his ideas into your own playing. I talk about the importance of listening to Parker and really copying his style, sound and energy.

To get the most from this lesson you will need to get the transcription from saxsolos.com.  It is called Cherokee and is item number 285.  It is from the recording “Trio in 41 or 42” as well as the recording of Bird playing this.  It is on “The Charlie Parker Story (Disc 2) and is called Cherokee. (41 Minute Video Lesson)

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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
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I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I have NEVER seen material like yours.  Amazing!!
Jerry
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
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I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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