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You are here: Home / Jazz Lessons / Scale Studies / The Diminished Scale: Lesson 1
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The Diminished Scale: Lesson 1

The Diminished Scale: Lesson 1

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 045 Category: Scale Studies Tags: diminished scale, jazz improvisation, jazz theory, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

The Diminished Scale is a fantastic sound that provides endless opportunities to the jazz musician. This is the scale that defined the post bebop era and is now an integral part of the jazz language. In this first introductory lesson on The Diminished scale, I teach you the 3 diminished Scales and show you how to utilize them over both diminished and dominant chords. I discuss various ways of conceptualizing the Diminished Scale, so that you can move on past simply trying to understand the scale and start getting this fantastic sound under your fingers and into your playing. I explain and demonstrate how the three Diminished Scales can be played in a variety of ways, from the patterns that all players utilize, to a more intervallic approach that will make sure you need never sound cliched.
I explain and play numerous examples for you as I discuss how I practice these scales over the different chords and use them on tunes. I show you how you can start to really get these scales down and how, by doing so, the whole language of modern jazz starts to make a lot more sense. When you understand and become proficient with the Diminished scale, all those Bird, Stitt and Coltrane solos start to make so much more sense. A command of the Diminished Scale will give your playing that hip, more mature sound you hear from all the great players. This lesson comes with a PDF sheet that includes the three Diminished Scales, as well as the various patterns and progressions I demonstrate. There’s enough material here to get you started and keep you going for quite a while as you discover a whole new world of sound.  (Audio & PDF)

2 reviews for The Diminished Scale: Lesson 1

  1. Avatar
    Rated 5 out of 5

    C.N. – April 4, 2009

    Steve! I have never been able to understand and get a hold of the diminished scale. Until now! Once again, your explanation, demonstrations, and pdf. file has cleared the way for me to develop my use of the diminished scale. You have the gift of Outstanding Performance and Superb Instruction! Thank you Steve! C.N.

  2. Avatar
    Rated 5 out of 5

    Jay Richardson – December 10, 2009

    Steve, I’ve purchased four of your lessons and have thoroughly enjoyed and learned from them. My schedule is hectic, but I’m able to listen to them while I travel and I’m about to order another. So far I’ve purchased:
    – II V I Licks
    – 1 Bar blues
    – Triadic Pairs 2×2 (Maj & min)
    – Diminished Scales

    Great stuff please keep it up!

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Lesson Sample

https://public.neffmusic.com/Diminished%20Scale%20Lesson%201%20clip.mp4

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I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
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Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

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