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You are here: Home / Jazz Books (PDF Downloads) / The Best Minor II-V-I Patterns (Digital PDF Book)
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The Best Minor II-V-I Patterns (Digital PDF Book)

The Best Minor II-V-I Patterns (Digital PDF Book)

Rated 5.00 out of 5 based on 4 customer ratings
(4 customer reviews)

$14.99

Category: Jazz Books (PDF Downloads) Tags: II-V-I patterns, jazz licks, minor, steve neff
  • Description
  • Reviews (4)

Description

The II-V-I pattern is the most common pattern in jazz music. The more adept you are at playing this pattern in all the keys the better your facility in the jazz language. In the past 20 years I have been keeping a notebook of these patterns. I’ve tried to limit the ones in this 80 page book to the hippest ones and to strain out the ones that are more popular or overused. In my opinion these are the best Minor II-V-I licks that I’ve come across in the past 20-25 years. There are 80 licks in this 80 page pdf file. Each lick is transposed into all 12 keys in treble clef and is easy to read. Trust me when I say that these things will keep you busy for a long time but once mastered your playing will improve incredibly. The cost for these patterns is $9.99. You can print this file and get to work immediately. Have fun. I hope you dig these as much as I have over the years. Thanks, Steve

Here’s a sample of some of the lines that are in the book. I’m playing them on the tenor sax.

https://www.neffmusic.com/images/mp3/file0144.mp3

4 reviews for The Best Minor II-V-I Patterns (Digital PDF Book)

  1. Avatar
    Rated 5 out of 5

    Neffaholic (verified owner) – June 22, 2009

    So many “self-proclaimed ” saxophone teachers believe because they are a professional player, they are automatically a teacher, absolutely not the case. You must have the ability to transfer what you know, and most importantly, in my mind, the DESIRE to teach, and the need to know that your instruction is getting through, the constant search for more and better ways to deliver the instruction. the PASSION to teach. YOU have all these qualities, that is why i am a Neffaholic

  2. Avatar
    Rated 5 out of 5

    Walt (verified owner) – August 24, 2009

    Steve, I really like your minor patterns and I’ll tell you why (which is why I just bought the major patterns). First of all they are good lines. Second of all you didn’t take a short cut and put the accidentals for each key by the cleft. You put the accidentals on each note (and with reminders). This helps me tremendously in reading through the lines. Thanks! Walt

  3. Avatar
    Rated 5 out of 5

    Wayne Parker (verified owner) – January 5, 2010

    These apply to all instruments. I am a guitar player and they are especially useful for this instrument in getting you out of those patterns that fall all too easily under the fingers. I will be recommending your books to my students; in some cases, insisting they get them.

    Wayne Parker-Ballarat, Australia

  4. Avatar
    Rated 5 out of 5

    Kenfen (verified owner) – September 22, 2010

    I recently purchased Steve’s “Best Minor II-V-I Patterns” and I must say I was well impressed by the quality of the patterns as well as the excellent manuscript. These patterns are a great tool to open up your ears and train the fingers to react better to playing over minor II-V’s. I’ll be using this well organized study book for some time in my own pursuit of musical excellence. I highly recommend these to anyone wishing to gain a clear and concise method to adding more vocabulary to one’s playing. Kind Regards, Kenfen

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Testimonials

Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

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