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You are here: Home / Jazz Lessons / Smooth Jazz & Pop / Soloing on Simple Grooves Lesson 2
“Beginner Jazz Improvisation Lesson 2A-Alto Sax” has been added to your cart. View cart
Soloing on Simple Grooves Lesson 2

Soloing on Simple Grooves Lesson 2

$9.99

SKU: 2539 Category: Smooth Jazz & Pop Tags: blues solo, jazz saxophone, tenor saxophone, video lesson
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Description

In this lesson I demonstrate on the alto saxophone how to solo over some simple pop type grooves.  Sometimes the simple grooves are the hardest to solo over, because it’s hard to come up with new and inventive ideas. In fact, for many players, their first experience in taking a solo is over a vamp style groove just like the ones I demonstrate here.

In this lesson I take three background tracks that a member sent me to get help on and demonstrate the different things I would use on them.

The first track is a pop tune, which is in the key of B major for alto. The second track is a funky groove in E minor for alto.  The third track is another funky groove in A minor.
I talk in depth about the devices I would use on solos like this, including…….blues scales,approach notes, major scales and minor scales.

Depending upon the style of the tune you’re soloing over, you can choose from any one of these approaches and even combine them to give you an endless variety of solo ideas that fit the style of the tune.

I demonstrate how you can use many of the scales, licks, ideas and concepts you’ve learned in my other lessons, over these groove type tunes.

There are approaches and ideas here for all levels of players.  For the beginners taking their first solo break in the school band I discuss using basic chord tones and blues scales.  The Intermediate soloist will find the approach note sounds challenging and rewarding. You will need my Approach Note Book to get these lines as they are too complex to go into in this lesson)  Whatever your current level, there’s something here for everyone.

Although the lesson is centered around these three background tracks, these concepts can be applied to many more pop and funk tunes.   (38 Minute Video Lesson)

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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

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