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Round Midnight Lesson

Round Midnight Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 163 Category: Jazz Standards Tags: improvisation, jazz standard, Round Midnight, Theloious Monk
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In this lesson I teach you how I approach the tune “Round Midnight” by Thelonious Monk.  This is one of those famous standard tunes that is a must for every jazz musician to know.  I have 71 versions of it on my computer as I write this.  The great jazz players that have played this tune are Thelonious Monk,Miles Davis, John Coltrane, Joe Henderson, Sonny Stitt, Stan Getz, Sonny Rollins…………..I could go on and on.  It’s a must to know trust me.  Besides all that, it’s also a great tune!  The melody is easily recognizable and the chord changes are incredible to play over.

In this lesson,  I take you through each chord of this popular standard and talk about how I approach improvising over them.  I give you some tips on things I’ve learned over the years and also some roadblocks that I encountered early on with this tune.   I demonstrate the melody and solo using my tenor sax to a background track so you can here exactly what I am describing as I teach. (Audio & Video) (35 minutes)

1 review for Round Midnight Lesson

  1. Avatar
    Rated 5 out of 5

    Soruyo – January 20, 2011

    Thanks Steve!

    The thing I liked the most in this lesson was the frustration you talk about, when trying to improvise following each of the chord changes. You know what?……it´s exactly how I feel every time I try to improvise over a tune. knowing a master like you have gone through the same frustration in the past, makes me feel I´m not alone and someway, I feel I´m in the right direction. The way you approach the chord changes to make it easy is just what I needed. Now I can see the light at the end of the tunnel!

    Thanks again!

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Lesson Sample

https://public.neffmusic.com/Round%20Midnight%20Lesson.mp4

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I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

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Gerry Aylward

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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